Saturday, April 18, 2009

Wabanaki Red...memorable days of my youth!



wab sailing



I dipped the paddle into the cool water and gave it a gentle shove.

In moments, I was gliding across the still surface of the river and into the storied past.

Ah, the lazy days of summer!

The door of the old yellow school bus stood ajar as a rambunctious pack of obnoxious kids excitedly hopped up the steps into the dilapidated interior and took a seat one by one.

For the next four or five monotonous hours on the road, we'd wile away the time (as it seemingly stood still) by singing several rounds of boisterous camp-fire songs.

"Ninety-nine bottles of beer in the wall, ninety-nine bottles of beer. If one of those bottles should happen to fall, there would be ninety-eight bottles of beer in the wall."

The trek through the back roads of Ontario was long and hot and Northward bound.

At long last when the bus pulled into Honey Harbour just after twilight, I was snuggled up in an uncomfortable heap in one corner of a worn seat fast asleep.

I half-recall a counselor lifting me up and carrying me outside to a waiting cruiser which purred at a dock that creaked underfoot.

The sounds of the gentle waves lapping at the edge of the boat were soothing - and at the same time somewhat hypnotic - as the small speed boat ferried each and every one of us over to Beausoleil Island.

For a fortnight, my new-found pals and I would be exploring (and braving) the wilds of Ontario with youthful curiosity and tireless vigor.

In addition, there would be a lot of sun-kissed hiking, swimming and canoeing.

After all, idle hands were the Devil's workshop, weren't they?

Indeed, on occasion, we'd be fending for ourselves on a sort-of rite of passage that took place like clockwork in August every year.

On occasion, when the golden sun broke over the rocky terrain in the morning, I would peer out into the great beyond.

Suddenly, the aroma of hot porridge would assail my nostrils.

My stomach would growl hungrily in response.

Camp Wabanaki was unlike any other summer camp I ever attended and more picturesque than most.

Here, a series of small cottages (dorms, if you will) were strategically placed atop perches that jutted out over rock-cliff faces that fell treacherously for a brief stint, then plunged into a fresh-water basin below .

The routine started quickly enough.

war canoe wab


In preparation for a week-long canoe trip through the Crown lands, there would be a bit of prepping in the form of swimming lessons, first aid, wilderness survival, and even instructions on how to tie a myriad of fancy sailor's knots.

One year, our journey took us through the locks at Bracebridge and along the Seguin river.

A creek chosen for a short-cut to paddle through on one leg of the arduous journey, turned out to be all dried up - so, on that occasion - we were forced to lift our canoes over the rocks for a short period 'til there was sufficient water in the riverbank to set them alight on the surface once again on the other side.

Now and then, it was necessary to portage around dangerous gulches or fast-moving rapids, through the forest at the outer edge.

During one such adventure, as my hands were held high supporting the canoe firmly, menacing mosquitoes swarmed all over my naked back and thirstily sucked the blood right out of my tender virgin skin.

Needless to say - during this unexpected encounter - all the boys were inclined to step lively through the underbrush to the other side - where the sight of fresh-water swelling the banks was a welcome sight.

As to the canoe lifting, well, it's part of the folklore in those parts.

Whenever a lazy canoeist dragged his vessel over the rocks - instead of lifting it high and out of harm's way - fragments of paint were inclined to scar the rocks signaling which campers came through that way.

If a hiker spied "red" on the rocks, tradition demanded that he cry out:

"Wabanaki Red"

After all, Camp Wabanki's canoes were a bright fire-engine red!

Each vacation, it became apparent who the slackers were by simply observing the waterways and byways in the great out-of-doors, for tell-tale signs.

Conquering the forces of Nature oftentimes turned out to be a feather in one's cap, too.

One year, we were offshore quite-a-ways in Georgian Bay, paddling away, when a wild storm swept in from out-of-the-blue.

Powerful waves set into motion by a series of high winds were so severe, in fact, that they threatened to overturn our lightweight canoes.

So, our counselor - a seasoned pro on the campfire trails - instructed us to strap all three canoes astride each other.

Then, we stretched our rain gear over our paddles and proceeded to harness the wind - at which point - we triumphantly sailed into shore just beyond a lone cottage (owned by T. Eaton of the Department Store Chain) at the tip of the private Island.

Notwithstanding these adventures on the topsy-turvy seas, there were also a multitude of other leisure activities designed to challenge us and play havoc with our wits.

At night, we often played capture the flag in the inky-black night beneath a breathtaking canopy of twinkling night stars.

There were sailboat excursions, relay races, you name it.

To this day, when I recall all the fond memories of Camp Wabanaki, a smile comes across my face.

I have only to catch a whiff of porridge one frosty winter morn to find myself whisked back in time to recall some of the most cherished (and happiest) days of my entire youth.




Coachella Music Festival...Paul McCartney ushers in glittering star-studded opening night!



Musician Paul McCartney performs during day one of the Coachella Valley Music & Arts Festival 2009 held at the Empire Polo Club on April 17, 2009 in Indio, California. (Photo by Kevin Winter/Getty Images) *** Local Caption *** Paul McCartney


The Coachella Music Festival has rolled around once again.

Seems like just yesterday, I was musing about Prince's much-anticipated appearance on the Southern California stage last year.

The old blended with the new, a host of celebrities added glitz to the country atmosphere, and die-hard music fans lapped it all up.

In fact, some went overboard, I expect.

The police reported 18 drug-and-alcohol related arrests prior to the penning of this post.

Ecstatic fans welcomed former Beatle Paul McCartney, nonetheless, who sparked up his concert gig (his 1st appearance as a solo artist at a U.S. Music Fest) with a handful of olden-goldie mop-top tunes from yesteryear.

Renditions of "Eleanor Rigby", " The Long and Winding Road" and "My Love Does It Good" revved up the crowd right off-the-bat.

"Sgt. Pepper's Lonely Hearts Club Band" ended the rousing set which triggered memories of trippy-hippy days for many who crawled out of the woodwork from communes around the country to catch the much-ballyhooed musical extravaganza in Indio, California.

McCartney didn't let creeping "old age" bog him down, either.

The long-in-the-tooth musical great held his own for the two 1/2 hour set - all-the-while - sporting a youthful image in trendy boots, black pants (with spiffy suspenders attached), and classy white dress shirt.

The first day of the festival also featured Leonard Cohen (a fellow Canuck), the Hold Steady, Franz Ferdinand, Morrisey, and the popular Ting Tings.

The high-profile line up drew a number of young Hollywood stars to the desert to party-hearty under a wide blue sky, too.

Anne Hathaway chatting up fans in patterned harem pants and a cardigan; in contrast, "Twilight" actor Robert Pattinson was inclined to go casual in body-fitting cut-off jeans.

Kirsten Dunst basked in the glow in a short-sleeve mini-dress backstage in the VIP section, along with other fringe celebs like "Weird Al" Yankovic, Chloe Sevigny, Kate Bosworth and Zoe Kravitz.

One of my favorite bands, The Killers, is lined up for a Saturday performance!

Despite tough economic times, Coachella has not experienced any fall-out or even faced the need to cut-back on the festivities!

Tickets have sold stridently and attendance is at an all-time high.

If music be the food of the soul, then there appears to be a lot of spiritual nourishment going down at Coachella this week-end.

In addition to a lot of good old-fashioned high-spirited fun!





http://www.julianayrs.com

AFI Dallas - Henry Selick Interview

Movie Geek Feed captures my interview with Henry Selick, an animator, who was honored with the Texas Avery Award at AFI Dallas.

Friday, April 17, 2009

Kimbell Art Museum...Art & Love in Renaissance Italy! Captivating exhibit in Fort Forth...




An excellent exhibition - "Art & Love in Renaissance Italy" - is currently on exhibit March 15 through June 14 at the Kimbell Art Museum in Fort Worth (Texas).

The exhibition offers a unique look at approximately 150 paintings and art objects dating from the 1400 to 1600 circa that were created to celebrate love and marriage.

The extensive collection includes marriage portraits and paintings, exquisite examples of jewelry, and some of the rarest and most significant pieces of Renaissance glassware, cassone panels, birth trays, and drawings of amorous subjects.

The exhibition is divided into three sections.

The first - "Celebrating Betrothal, Marriage, and Childbirth" - features wedding scenarios.

For wealthy families in cities such as Florence, Venice, and Milan, the ideal marriage depended on a sizable dowry provided by the bride’s family.

The dowry was not simply comprised of money and property, but also a variety of goods for the bride’s new home.

The lavish wedding celebrations of the period were marked by extravagant gifts such as maiolica decorated with narratives or portraits, rare Venetian glassware, rings and other exquisite jewelry, and delicate gilded boxes and vividly painted cassoni or bridal chests which would be filled with costly linens and clothing.

The safe birth of a strong healthy child was also celebrated and commemorated with the production of finely painted deschi da parto (wooden childbirth trays) and maiolica childbirth bowls known as scodelle da parto.

The trays and bowls were often painted with poignant images of a mother resting in her confinement room with charming representations of Renaissance interiors.

Often marked with heraldic devices, these objects were prized possessions handed down from generation to generation.

The second aspect of the exhibition - "Profane Love" - focuses on the erotic (at times salacious imagery, according to the curators) and how the subject was broached in drawings, prints, and other objects created by some of the most celebrated artists of the time (including Parmigianino and Giulio Romano).

"From Cassone to Poesia: Paintings of Love and Marriage" shifts the artistic sensibilities to nuptial portraits and paintings on themes of love that decorated bedchambers and private quarters.

The exhibition is accompanied by a fully illustrated catalog published by The Metropolitan Museum of Art in association with Yale University Press.

History of the Kimbell Art Museum

The Kimbell Art Museum is widely regarded as one of the most outstanding architectural achievements of the modern era.

The stunning eye-catching building was designed by talented American architect, Louis I. Kahn (1901–1974).

Since the Kimbell threw its doors open wide in 1971, the Museum has won wide acclaim for its classic modern flourishes.

Kahn’s innovative use of natural light and subtle articulation of space and materials greatly enhance the experience for the art-lover and connoisseur alike.

The architect envisioned a museum with “the luminosity of silver.”

In his design, “narrow slits to the sky” (as he described the skylights) admit natural light by virtue of perforated metal reflectors which disperse it onto the underside of cycloid-shaped vaults and down the walls.

Courtyards, lunettes, and light slots vary the quality and intensity of the light throughout.

The building’s gracious proportions, fine craftsmanship, and beautiful landscaping contribute further to an air of serenity and restraint that permeates the space.

Permanent Collection

The Museum’s holdings range from the period of antiquity to the 20th century and includes European masterpieces by Fra Angelico, Caravaggio, Cézanne and Matisse.

Visitors will also be delighted to discover rare important collections from the Egypt, the Roman antiquities, as well as Asian, Mesoamerican, and African arts on display.

Programs

The museum offers a fulls schedule of programs to promote appreciation of the collection and special exhibitions.

For instance, well-thought-out symposiums feature outside guest speakers from specialized areas of expertise.

Meanwhile, there are also regular lectures and gallery talks conducted by professional staff at the Museum, regional artists, and guest scholars.

In addition, the Kimbell hosts a book-discussion club, summer camps for children, family festivals, and family gallery guides.

Workshops on art - specially designed to share the resources of the Museum with all levels of the community - are also held for children, high school students, for the deaf and hard-of-hearing, and adults of all ages.

The Museum staff take the position that an increased understanding of craftsmen and the creative process is the key to an expanded enjoyment of art itself.

Info: 817-332-8451.




http://www.julianayrs.com

Natural Bridge Caverns...explorers attraction in Texas!


With the economy the way it has been, many families are taking day-trips or weekend jaunts outside of their normal stomping grounds for a short respite from it all.

If you're heading to Texas - specifically the Dallas/Forth Worth & Austin regions - there is an awesome adventure waiting for the kids (Mom & Dad, too!) at the Natural Bridge Caverns.

The caverns are a vast and magical underworld phenomenon that Mother Nature etched beneath the surface of the earth that is both breathtaking and majestic.

Gigantic stalactites and fragile crystalline soda straws make for a captivating sight-seeing adventure that no true explorer will ever forget.

History

In March of 1960, Orion Knox Jr., Preston Knodell, Al Brandt and Joe Cantu (four students from St. Mary’s University in San Antonio) obtained permission to explore the area that is now Natural Bridge Caverns.

The students were convinced that large underground passages existed under the amazing 60-foot limestone bridge.

On their fourth expedition, Orion felt a cool draft from a rubble-filled crawl-way.

Air currents often indicate the presence of additional rooms or passages, so they continued on with their in-depth trek into the caves.

The explorers climbed and crawled through two miles of vast cavern passages and mapped the extent of their findings.

After making this amazing discovery, they returned to the surface to tell the landowners.

The discoverers knew immediately what an astonishing find they had made and the land owners decided to develop the first 1/2 mile (the most spectacular part of the caverns) for the enjoyment of tourists from around the world.

That first 1/2 mile is now the Discovery Tour.

The Discovery Tour was developed with two main goals in mind: to preserve the cavern environment and to ensure comfort and safety for the cavern enthusiasts.

The result is one of the world’s premiere show caverns.

Just in time for Spring Break this year, Natural Bridge Caverns launched a new tour of the Hidden Passages that includes a chance to view an extraordinary section previously hidden from the general public.

The Illuminations Tour is designed around a dramatic new lighting system that uses both light and dark to enhance the experience.

The tour features two vast underground chambers known as the Jaremy Room and the Cathedral Room.

While the Jaremy Room has been viewed by guests over the past four years, the Cathedral Room is a treasure previously seen only on the Adventure Tour.

Both rooms possess unique formations not found on the Discovery Tour.

Tours are kept small and leave every 40 minutes throughout the day.

The tour is moderately strenuous and includes 185 steps along a 1/3-mile path.

The Natural Caverns most popular tour is the North Cavern Tour which introduces guests to an underground world of natural beauty.

Die-hard climbers are treated to a half-mile of the largest and most spectacular show caverns in Texas which fall down to a depth of 180 feet below the surface.

From this vantage-point, curiosity-seekers are able to view ancient awe-inspiring formations centuries in the making (and still growing today) such as stalagmites, stalactites, flowstones, chandeliers and soda straws.

Info: (210) 651-6101

Hidden Passages Tour

This tour will force excited explorers to get down and dirty.

This foray into the cavern habitat is a 3-to-4 hour excursion into one of the world’s premiere nature sights.

In view of the terrain underground encountered - adventurous thrill-seekers will be forced to climb, crawl, rappel, explore – with only the light of a helmet to guide them.

Not a day-trip for the weak of heart.

Once outfitted with caving gear, bolder climbing enthusiasts will be lowered by rope through a 160-foot well shaft 230 feet below surface level to the Fault Room which features one of the longest soda straw formations in North America (14 feet in length).

Discovery Adventure Tour

This incredible three-hour tour allows ticket-holders to follow the path that the original discoverers took.

This tour includes a half-mile trek through wild caves and passages that have not changed since the discovery of the caverns.

The total distance of the tour is 1.25 miles which begins under the Natural Bridge and follows the commercially developed path with hand rails and concrete trails.

Then, the tour turns more adventurous as the most physically challenging leg of the journey commences along a treacherous path of underground terrain.

Guests are provided with caving gear and are required to crawl, climb and slide over and through various obstacles.

It’s an exhilerating experience, according to hikers who have gone the distance.

Watchtower Challenge Tour

Here, guests may try their hand at outdoor climbing towers and zip lines which are the best in Texas.

Named in honor of the Watchtower formation in the North Cavern, this attraction stands 50 feet tall.

The climbing surfaces are built along two sides of the tower so that four climbers may participate at the same time.

The front of the tower is 16 feet wide and provides moderate-to-hard levels of intensity.

The side of the climbing tower is 12 feet wide and is easier for first-time climbers.

Whether a beginner or a seasoned pro, there will be a very satisfying climbing experience ahead.
By the way, the view from the top - if you make it - is spectacular!

Tired of climbing?

Then, take the quick route down on one of the zip cords which carry the agile individual back to earth at speeds of up to 25 miles per hour.

This is a thrill ride no one will ever forget.

Natural Bridge Cavern Explorer tips

*Parking is free.
*The Visitor center is located by the lower level parking area.
*Temperature inside cavern is 70 Degrees (humidity of 99%).
*Wear light clothing & comfortable walking shoes with traction.
*Cameras are welcome. Flash & high speed film recommended.
*The Discovery Tour is guided. (Distance 3/4 mile).
*The Illuminations Tour is guided . (Distance 1/3 mile).
*The Watchtower Challenge tower (based on weather).
*Souvenirs & food & drinks available in the Visitors’ Center.

The Natural Bridge Caverns have been listed in the National Register of Historical Places (NHRP) by the U.S. Department of Interior.
This designation is bestowed upon sites that play an important role in preserving cultural history.

In 1964, development-related excavations took place at Natural Bridge Caverns to enlarge the entrance, provide a walkway, and develop a trail system inside the cavern.

During the original trenching of the entrance, several diagnostic projectile points dating back approximately 10,000 years were salvaged.

Additionally, several other stone tools were recovered during this phase of development, including hide scrapers, gouges, knives, and drill fragments.

Staff from the Texas Memorial Museum and the Vertebrate Paleontology Laboratory of the University of Texas visited the site and collected a sample of faunal remains uncovered by the construction.

Some specimens belonged to species that became extinct about 12,000 years ago.

In June of 2003, the staff from the Center of Archaeological Research (CAR) of the University of Texas at San Antonio also conducted a dig at the entrance of the caverns.

Artifacts uncovered included a prehistoric looking hearth, stone tools, projectile points, and charred plant remains. People from long ago used these artifacts to hunt, cook, and make tools.

Visitors to the caverns walk through different layers of limestone which is a sedimentary rock.

Geologists theorize that during the Cretaceous period, a warm shallow sea covered much of Texas.

Sediments and dead marine organisms collected on the ocean floor, compacted, and formed the different limestone layers.

Geologists gave different names to the various layers such as the Glen rose and the Kainer (Edwards) layers.

The Glen Rose, the oldest rock layer, contains the lowermost chambers, while the Kainer forms the Natural Bridge.

The cavern formed by virute of an underground "river" which moved slowly through cracks and pores within the limestone.

Rain Water that seeped through cracks then started to dissolve the limestone.

In time, the original narrow cracks or joints enlarged to form huge underground conduits or passages.

Perhaps due to changes in climate, vegetation, or other natural forces, the water drained to lower levels within the earth.

As the water left the upper passages, it moved deeper and formed a second level.
The water eventually moved to another level even deeper within the earth.

As the water left the lower level, stresses within the rock led to many of the layers collapsing to form break-out domes.

This final stage of collapse led to the creation of the passages visitors now see.





Natural Bridge Caverns location




http://www.julianayrs.com


Frank Lloyd Wright...music stand a delight!



Years ago a fellow artist noted that the co-owner of the Art Gallery we both exhibited our work at lived in a spacious luxury home on King Edward which was designed by Frank Lloyd Wright.

Rosemary Poll was a very classy lady who always acted in the epitome of good taste, so I was inclined to check out Wright's architectural designs since I was unfamiliar with them.

Once I got a gander at his body of work, I was hooked!

Needless to say, when I stepped into the downtown Library in Dallas last week and stumbled across a Music Stand he designed, I was delighted.

While Mr. Wright's creative focus was mostly on his unique architectural designs, he often crafted one-of-a-kind pieces of furniture, that soon became sought after items for discerning collectors far-and-wide.

His love for music also prompted the visionary artist to create a music stand which is currently on exhibit in the Fine Arts Division of the main library.

A good friend of Wright - John Rosenfield (long time critic for the Dallas Morning News) - explained how the creation of the music stand came about in one of his columns on May 6th (my birthday) in 1956:

"Very little that happens to Wright fails to stir the builder in him. String quartets, for example, are welcome guests at Taliesin estate and spend several days between tour dates. The spidery wire music stands around which a string quartet deploys itself never has failed to irritate the host. Sooner or later Mr. Wright had to do something about it."

In fact, he rose to the occasion well.

He designed a one piece music stand, complete with four musical racks, a lighted canopy, and even a space for a plant in the top.

Wright fashioned the music accessory out of cypress - which was an eternal wood - according to its maker.

Because of his keen attraction to organic shapes that drew inspiration from nature, it was crafted to give the appearance of an abstracted plant form, which is sculptural in many respects.

Rosenfield opined that amateur musicians playing with the stand sounded better because they looked better.

The influential writer was so impressed with the novel idea that he cajoled Mr. Wright into crafting one for him.

Requests for additional copies from ardent admirers followed; in fact, there are six other copies known-to-be in existence as of this date.

One was lovingly pieced together after Wright's death at the direction of his widow as a gift for Lady Bird Johnson and now stands on display in the Lyndon Baines Johnson Library and Museum in Austin, Texas.




http://www.julianayrs.com

Thursday, April 16, 2009

Allergies...treatment brings relief!



If you're like me, when your nose gets stuffed up, you assume it's just the smog paying havoc with your nostrils.

Or, maybe a cold is coming on.

Maybe you just need a hot bowl of chicken soap to set things right.

There is another possibility that I overlooked for years.

Was it possible that I had allergies?

Today, when I pointed out to the doctor that my nasal passages often got blocked up, and that occasionally I had difficulty breathing through my nose, he suggested an allergy test!

I was game.

I tore off my shirt, laid face down on the examination table, and suffered through about ninety-eight little "pricks" in the back.

Each tiny needle was injecting a known allergic just beneath the surface of my skin to test for a reaction that would take about twenty minutes to rear its ugly head.

Imagine that!

I am allergic to trees; specifically, those of the Oak, Elm, Ash, and Olive variety!

"There are quite a few Olive trees in this neighborhood which may be the reason why you have been suffering."

The Doctor prescribed two nasal sprays designed to tackle the allergies.

Amazing!

Within about thirty minutes, I felt a hundred-percent better, and once again I could truly breath without difficulty.

Allergies can develop at any age and even in the womb.

Some people are more "sensitive" to substances because they produce more IgE than those who are non-allergic.

What is IgE?

It is an anti-body.

When a person is exposed to an allergen a series of events takes place.

For starters, the body starts to produce the antibody IgE to bind to the allergen.

The antibodies then attach to a form of blood cell called a mast cell.

Mast cells are present in the airways, in the GI tract, and elsewhere throughout the human body.

The presence of mast cells in the airways and GI tract makes these areas more susceptible to allergen exposure.

Once the allergens bind to the IgE attached to the mast cell, they trigger a reaction that allows the mast cells to release a variety of chemicals ( including histamine) which cause most of the symptoms of an allergy such as itchiness or a runny nose.

If the allergen is in the air, the allergic reaction will likely occur in the eyes, nose and lungs.

On the other hand, if it is ingested, the allergic reaction often occurs in the inner recesses of the mouth, stomach, and intestines.

Sometimes enough chemicals are released from the mast cells to cause a reaction throughout the entire body.

The subject may develop hives, decreased blood pressure, shock, or loss of consciousness.

The major distinguishing factor appears to be heredity.

For some time, it has been known that allergic conditions tend to cluster in families.

Your own risk of developing allergies is related to the parents' allergy history.

If neither parent is allergic, the chance of allergies surfacing is about 15%.

If one parent is allergic, the risk increases to 30% ; if both are allergic, the risk is far greater (about 60%).

An individual may inherit a tendency to develop allergies, but never actually have symptoms.

Offspring may not necessarily inherit the same allergies or the same diseases as your parents, either.

Researchers have not been able to fathom which substances will trigger a reaction in an allergic person, which diseases might develop in the individual, or how severe the symptoms might be.

The environment plays an important part in the scenario, too.

Also, an indiviudal must have a genetic tendency and be exposed to an allergen in order to develop an allergy.

Additionally, the more intense and repetitive the exposure to an allergen (and the earlier in life it occurs) the more likely it is that an allergy will develop.

There are other important influences that may conspire to cause allergic conditions which include frequency of smoking, pollution, and infections.

Get tested today for immediate relief!


http://www.julianayrs.com

All Stars Project...Castillo Theatre presents Poetry Snap! Stimulating Theatre on April 17th, 24th & 25th!


Hot young poets from the mean streets of New York City causing a big buzz in performance circles of late, will be delivering up their rhymes and rants at the All Stars Project on 42nd Street on April 17th, 24th, and 25th.

Yup, just three performances!

The thought-provoking show - Poetry Snap: Word on the Street - was directed by Michael Alcide and Darnelle Cadet.

According to the producers, Snap is "a new hip-hop theatre form, an integrated performance of new hard-hitting, provocative (and often tender) poems woven into an evening of stimulating theatre by an ensemble of socially-engaged poet/performers".

Featured Poets
Kristina Acheampong, Michael Alcide, Darnelle Cadet, Aadanis Dempster, Andrea Harrison, Shaneequa O'Connor, Johanny "Jay" Paulino, Christina Tapia, and Serge Velez.

Theatre
All Stars Project
543 West 42nd Street
New York, New York

Performances
Show times: 7:30 p.m. (all nights)






UCLA...spoiled Asian students leave trail of trash!





Last night as I strolled through the campus at UCLA, I spied about two-dozen or so Asian students whooping it up on the grass near one of the main plazas on campus.

Personally, I wholeheartedly recommend that a student take a breather from the books and kick up his or her heels now and then.

As they say, all work and no play makes Jack a dull boy.

However, it was disappointing to to take the same trek this morning and have to stumble over a mound of trash the thoughtless students left strewn all over the lawn and cobbled walk.

Obviously, these spoiled freshmen don't have a clue about trash (especially of the plastic and tin-can variety) and how it negatively impacts the environment.

Heh, kiddies!

Mommie and Daddie were generous enough to foot the bill for University, the least you could do is clean up after yourself.



http://www.julianayrs.com

Wednesday, April 15, 2009

Vioxx...California courts assign Plaintiff liaison counsel for Vioxx victims!



A couple of weeks ago, I penned a post in which I referred to the Vioxx settlement agreement (pounded out last year) as a "fraud" upon the American people.

Post: 02/21/09

http://julian1st.wordpress.com/2009/02/21/vioxx-settlementa-fraud-perpetrated-on-the-american-people-by-merck-lawyers/

I was prompted to write the expose in view of the fact a number of victims involved in the Vioxx debacle have alleged in recent days that Merck (and their attorneys) have been giving them the run-around.

Although many litigants signed on for the settlement agreement in the spring of 2008, quite a large percentage of the victims haven't received one slim dime as of April, 2009.

In addition to the aforementioned scandalous conduct, Merck's attorneys have also engaged in deceitful bold-faced efforts to have lawsuits dismissed under a false premise.

For example, the claims office (and a handful of Vioxx plaintiff attorneys) have sent out notices to victims asserting that their failure to sign a "release" has placed their claim in jeopardy - and that until they sign on the dotted line - no payment will be forthcoming.

Upon close scrutiny, and after a bit of strenuous fact-checking, it is crystal clear that the "deficiency" that Merck refers to - that is alleging holding up claims - arises from a plaintiff's refusal to sign a release that will summarily "dismiss" the lawsuit against Merck with prejudice.

Disgruntled claimants have informed me they don't intend to sign any release for a dismissal of their lawsuits until the amount of their settlement has been determined and they are issued a draft for the total sum agreed upon.

Sounds reasonable, doesn't it?

Notwithstanding this glaring dishonesty on the part of Merck and all the attorneys involved in the Vioxx settlement "scam", there is another issue which has triggered some warning bells, too.

The claims office has been sending out notices to plaintiffs instructing them to sign a second legal document (lien notice) which guarantees that medical care facilities, doctors, insurance companies, and attorneys get their monies first by virtue of a lien.

Claimants worry that if they do sign off and permit a lien to placed on their "settlement" that they may not end up realizing the lump sum of money they were promised when they agreed to the landmark settlement offer hammered out with Merck attorneys last year.

For the aforementioned reasons, there has been a lot of confusion and ill-will running rampant across the Vioxx settlement landscape.

For this reason, the California Courts have assigned Plaintiff liaison counsel to assist the litigants in respect to their ongoing settlements disputes with Merck and their legal counsel.

Interested parties should contact the court of jurisdiction in California where their case against Merck is pending and secure the attorney information available with the aim of proceeding accordingly.




Tuesday, April 14, 2009

HCG...spotlight on Dragon St. Art gallery in Dallas! Connoisseurs snapping up paintings...




One night, at a glittering after-party for AFI Dallas, I spent a delightful evening mingling with the power-elite and a bevy of local artists at the HCG Art Gallery on Dragon Street.

The pricey champagne flowed as art-lovers chatted each other up to a fever pitch.

The seemingly endless trays of scrumptious hor d'oeuvres were wolfed down by the appreciative party-goers who jockeyed for position each time the smartly-attired servers made their rounds through the packed gallery.

When I asked if the art market in Dallas was healthy, Brandy - the curator - nodded in the affirmative.

"Sales have been strident," she noted with candor.

The exhibition of abstract expressionist paintings on display the eve of the soiree was a knock-out!

But, traces of a previous event at the gallery - Graffiti Daze - piqued my curiousity, too.

The elegant rep excitedly informed me that most of the work by the two young artists - Carlos D. Donjuan and Alejandro Diaz - were plucked up by savvy art collectors out in full force on opening night.

Both painters are part of an organization known as "Sour Grapes".

According to the press blurb, the eclectic group channel the negative influences of their Oak Cliff neighborhood into positive expressions in the form of graffiti, painting on traditional canvas, tattooing (body art), and sculpting.

"On the evening the stunning pieces were unveiled, the gallery was packed with street artists, high-society Dallas types, and down-to-earth folks from the hood. All were rubbing shoulders without any qualms," the gallery dealer beamed.

Artreach Dallas (a sponsor for the thought-provoking show) makes a bold-faced effort to ensure there is ample access to the arts and cultural events in the desert town, according to their press flyer.

There is a big focus on economically disadvantaged youths and adults, as well as the disabled and the elderly.

In fact, Artreach is the only outreach organization in the Dallas area that specifically targets these special populations in the community-at-large.

Info: www.artreachdallas.org

The promoters for the after-party came up with a novel idea to entertain the guests that night which I found quite amusing.

On a table near the front door, a table of props - sailor hats, toy guns, and boas in vivid hues - beckoned the curious.

"Take your picture?" one of the curvy hostesses queried as she tugged at my arm playfully.

I snapped up an Admiral's cap and posed in front of a colorful backdrop which was strung up to add a festive touch to the impromptu party game.

I left the HCG with a warm glow radiating deep within my heart.

In a couple of days I will be penning a post on the Dallas Museum of Art and two other outstanding Art Institutions - the Kimbell Art Museum and the Modern Art Museum - which are both located in Forth Worth (Texas).

I expect the experience will be a healing one.

John Updike said it best:

"What art offers is space - a certain breathing room for the spirit."


Mel Gibson...divorce surges forward in courts California-style sans prenuptial agreement!



I guess it was the Jew rant in Malibu that was the final straw.

According to court documents, it was around that time frame that Mel Gibson and his wife Robyn became legally separated.

They say that "to err is human and to forgive Divine".

In view of the fact there doesn't appear to be any prenuptial agreement lurking about in a safety deposit box - it appears on the face of things that the former Missus has opted to do a formidable smash-and-grab with Mel's billion-dollar holdings - then spread her - um - proverbial wings

Morning squawk jocks speculated that a photo of the hunky star on the arm of a high-end Russian fashion model was the crux of it all.

Nope!

Mel doesn't even know the stunner - according to insiders - though I expect he wouldn't mind getting a bit cozy with some luscious tart at this late stage of the California-style divorce game.

Years ago, I was on the set of one of the "Lethal Weapon" films being shot in a lobby on Wilshire Street in downtown Los Angeles.

At one point, I innocently plunked myself down on one of two designer couches, which were tastefully separated by an elegant understated glass coffee table in-between.

When I casually focused straight ahead, I was startled to find myself staring directly into Mel's gorgeous baby blues!

For a moment, he eyed-balled me intensely without wavering, before I turned and glanced away nervously in another direction.

I wondered if the rumors flying around the set were true.

The gossip mongers whispered to anyone within earshot that Mel was having a clandestine affair with his male hairdresser.

Gosh, the titillating scuttlebutt gives a whole new meaning to the phrase "blow dry", doesn't it?

On the other hand, maybe Gibson just happens to be the intolerant homophobe gay activists non-stop allege the megastar to be.

Harold E. Stassen said it best:

"Whoever kindles the flames of intolerance in America is lighting a fire underneath his own home."





AFI Dallas...Bogdanovich director's cut of "Texasville" a bust! Career slide for arrogrant filmmaker eminent...







In tandem with an appearance at a Texas Day Film celebration sponsored by AFI Dallas - celebrated Director Peter Bogdanovich elected to screen a sloppy director's cut of Texasville - a film that bombed at the box office a couple of decades ago.

"Bog" obviously never heard of the expression "let sleeping dogs lie".

The overly-long - big yawn of-a-sprawling desert mess - was served up to an eager audience by way of a poor quality laser disc - which required a couple of tacky intermission breaks.

The much-anticipated event - ballyhooed by the press and film buffs alike - turned out to be an embarrassment to the aging Lothario - and resulted in a fall from grace.

The "jerry-rigged" (Bog's expression, not mine) presentation signalled to many that Bogdanovich's once-illustrious career was now on a downward spiral.

Occasionally, when a film turns out to be a stinker at the box office, a director is inclined to blame the studio for the unhappy end scenario that befell the project.

Typically, filmmakers point an accusing finger at the "suits" that backed (then later, sabotaged) the production.

"They didn't like me. So, they buried the film," is an oft-used excuse to explain away the truth.

Believe me, if a studio thought they could make big bucks on a film , they would tap into all the well-oiled machinery at their disposal, to promote, sell - and ultimately - shoot for a hefty profit.

Bogdanovich demonstrated - by virtue of his deceitful conduct at the screening - that he runs wild with the pack of snake-oil salesman he wrinkles up his snotty nose at.

At the screening, for instance, he had the audacity to allege that the reason Texasville was a failure (financially and critically) was due to the fact there was a change in administration at the studio.

For this reason - an agreement to run "The Last Picture Show" for a month prior to the release of the sequel "Texasville" (for the sake of continuity, he alleged) - was not honored.

Then, on the heels of this remark, he really put his foot in it.

"They released Texasville on Yon Kipper, so no one would trot down the theatre to catch it," he quipped.

His reasoning?

"Only Jews read. So, of course, fans of the book would miss it because they had to observe the Jewish Holy holiday."

Then, he foolishly stated for the record that he proceeded to delete all references to the well-received "Last Picture Show" in the sequel, to prevent confusion in the minds of an audience he previously claimed didn't exist because of studio shenanigans.

Hogwash!

Angry over the fact he got snubbed by the studio big-wigs, I expect that "Bog" took the action he did to get back at the studio for stabbing him in the front and back.

I witnessed the man's mean streak on the red carpet last week when he levelled it at me personally, so I have no qualms speculating about the obvious.

In a deceitful ploy to pull the wool over the eyes of filmgoers that afternoon, he then spouted off about comments he alleged friends like "Orson Welles" uttered up when "Texasville" was first released.

Unfortunately, when a has-been like "Bog" drops a name these days, it falls with a thud.

Did the director - prone to delusions - honestly expect film buffs to believe that "Orson" compared Texasville to a "gift at Christmas"?

If so, Santa should be strung up by the ba**s and tar 'n feathered!

Surely, he didn't expect any sane individual to accept without question, the misguided auteur's boastings that Orson applauded him for transforming what he first perceived as a "dirty script" into a gem of a film?

Bogdanovich also asserted to his rapt audience that Annie Potts confided that her role in the Texas - um - pot-boiler (!) was the best she was ever given a stab at.

Poor baby, the pickings must be slim!

His shocking lack of discretion astounded me, too.

"When we first shot "The Last Picture Show", Cybill and I were so in love," he gushed.

The way he said it, the talented actress came off like another notch in his belt, though.

Did he really think he'd be able ride off into the sunset with the leading lady (or even a ranch hand, for that matter) unless he was a trendy director with some clout and stature in the industry?

Let's face it, the man is obviously no great stud in the sack, by any stretch of the imagination.

As to Texasville - well - an impromptu remark at the end of the screening said it all, folks.

"The dog was quite good."

If you read between the lines, the message was crystal clear.

For the first time ever, it suddenly dawned on Bogdanovich that the rest of the boring saga was anything but!

Actually, the screening was a bit revealing for me in some respects, too.

I forgot what a talented actor Jeff Bridges truly is.

And, how much Cybill's irrating voice grates on the nerves.

As to Bogdanovich, well, he's overrated.

Hildegard Knef said it best:

“Success and failure are greatly overrated. Failure gives you a whole lot more to talk about."

Amen!




It was released on Yon Kipper so don't blame me

Phil Spector...guilty of 2nd degree murder! Wall of sound crumbles...




From the sidelines, everyone held their collective breath on Friday afternoon, when the jury for the Phil Spector trial (No. 2) took a break for the weekend deadlocked over issues that cried out for a just verdict.

Last year, I followed the trial intensely, and penned a post on some of the more curious aspects of the proceedings (and evidence) which raised a spectre of doubt in the courtroom.

Post: 08/29/09

http://ijulian.blogspot.com/2007/08/phil-spectorwhodunit.html

Mr. Spector is known for creating the infamous "Wall of Sound" that was (in part, anyway) responsible for the phenomenal success of a handful of megastar pop singers over the past few decades (the Beatles among them).

Because of Spector's known bizarre social behavior - and a penchant for mixing alcohol and gun play - all accusing fingers were inclined to point to the legendary music producer as the potential murderer at the trial.

But, the slippery devil - not unlike the teflon Don - managed to escape the wrath of the victim's friends and business associates - who adamantly cried foul - when the eccentric multi-millionaire was acquitted first-time around the legal circuit.

And so, a second trial commenced, forthwith.

In a standing-room only courtroom yesterday, the jurors found Spector guilty of 2nd degree murder, six years after police first stumbled upon the bloody body of a statuesque blond actress by the name of Lana Clarkson.

At a news conference, the Jury forewoman asserted that it was the "totality" of the evidence that prosecutors presented over the past five months in the courtroom that cinched it for the panel of dedicated Jurors.

No one piece of evidence singled out any smoking gun theory apparently.

On the heels of the verdict, legal eagles speculated that Phil Spector faces a mandatory life prison term when he appears for sentencing on May 29th, 2009.

The defendant won't be eligible for parole until he has served at least 18 years of the term, provided he has maintained a low profile in jail (i.e., there are no altercations with fellow inmates or trips to the infamous "hole" for misconduct) and remained on good behaviour during the duration of his stint in the pokey.

On the radio airwaves this morning, a handful of disc jockeys speculated that Spector would not make it out alive if he's tossed into the penal system with the general population.

According to one radio personality, an author who wrote a bio on the defendant, was inclined to take the position that without the trappings of his wealth - a mansion outfitted with high security, wine and song at his beck 'n call, friends and confidants to protect him from the indignities that common folk experience on a day-to-day basis - Spector won't survive in close quarters with hardened felons.

The District Attorney's office is apparently celebrating the outcome of the long egregious trial.

According to sources, Spector is the first high-profile celebrity to be convicted in over forty years in the Los Angeles courts.

Attorneys in the DA's office (who prefer to remain nameless) grudgingly confessed that spotlighted defeats in the murder trials of O.J. Simpson and Robert Blake still stung.

"Celebrity cases are always a little different," grimaced District Attorney Steve Cooly.

In the past, Cooly has blatantly insulted jurors, who appeared to have been too starry-eyed to see the forest for the trees.

After Jurors acquitted Robert Blake in 2005, for instance, he demeaned them by alleging they were incredibly stupid.

In the final analysis, he summed it all up this way.

"Sometimes the laws of gravity as we know them don't work in celebrity cases."

Shortly after the verdict was read, and the hub-bub died down a bit, Spector's attorney noted that he would lodge an appeal.

The Judge's decision to allow women to testify about events over a three decade period was ripe for an Appellate court review, asserted lawyer Doron Weinberg.

"We believe that analytically there is absolutely no legal basis for the admissibility of that evidence."

Spector's attorneys asked that the defendant be permitted to remain free on $1 million dollar bail pending the imposition of his sentence in May.

However, prosecutors objected on the grounds that the Alhambra resident had a history of threatening people with guns and that there may be an incentive to flee the jurisdiction to avoid incarceration.

In response, Judge Larry Paul Fidler issued a note for the record.

"Public safety and public protection are paramount."

The victim's mother and sister declined comment when reporters clamoured for a quote.

What else was there to say?

Justice was served in my estimation.





Spector the musical wall-of-sound whiz kid

http://www.julianayrs.com

Monday, April 13, 2009

The Great Buck Howard...a laugh riot! But, Tom Hanks drags the film down...


For me - "The Great Buck Howard" - is hard to knock in many respects.

Well, when it comes to John Malkovich, for sure!

The seasoned pro is always a delight to watch in any role he chooses to inhabit - and in this instant case - he has nudged his way into the very heartbeat of the character hands down.

One mannerism nagged the he** out of me, though, by the time the credits rolled.

An over-the-top heart-warming handshake Buck Howard (played by Malkovich to near perfection) foisted on every character he crossed paths with in the well-written comedy wore a little thin quick as a wink.

In a nutshell, the poignant tale is about a once-famous mentalist (no, the artist is not a mere magician) who connives to worm his way into the big time once again before the elusive opportunity for a last gasp at the brass ring slips away forever.

A young man, bored with law school and pining to find is way in the great scheme of things, answers an ad one day - and before you can pull a rabbit out of a hat - the naive lad is gainfully employed as a road manager for the slightly eccentric stage performer who is not only a stickler for details - but above all else - a precise routine that doesn't play havoc with his sly game plan.

The new hire is likable enough, but most certainly a little wet behind the ears; in fact, it's written all over his cherubic face.

The actor (played by Colin Hanks) isn't your typical pretty boy lead turned out by one of the majors to test the waters.

As a matter of fact, he's average-looking, but in an appealing - "grows on 'ya" - kind of way.

When we were teens on-the-make oft swayed by raging hormones, we'd often rate a less attractive date by the number of beers you'd have to down before you'd hop into the sack with 'em.

In this instant case, that yardstick definitely applies to Buck's chief cook and bottle-washer.

For his big comeback, Buck Howard zeroes in on Cincinnati (cause they like him there) where he anticipates a stunning "effect" (he gets angry when his sleight-of-hand is referred to as a mere magic trick) he has just conjured from the depths of his psyche will nab him National attention and summarily catapult him back into the limelight on the Tonight Show.

That does happen, but in a round-about poignant way.

In a running gag throughout the film, the master of illusion boasts ad nauseam that he appeared on the Tonight Show with Johnny Carson sixty-one times.

In contrast, Howard has his knives out for Jay Leno, who hasn't even tossed a crumb his way.

About half-way through the fast-paced farce, Howard appears to go through some kind of epiphany, which ultimately transforms the aging trickster into a genuine old soul who at long last finds peace in his personal and professional life.

Along the way, Hank's character wrestles with his own demons, and ends up signalling by the closing act that - he, too - will come out alright.



One of the few scenes that didn't gel for me occurred at a pivotal point in the film when the actor's real-life father - Tom Hanks - sauntered into the picture and was paired in a scene with son Colin which I found downright distracting.



When the audience is forced to watch histrionics go down between the two, they can't help but compare Tom's finely-honed talent with that of his scene partner, marvel at how similar the thespians physical characteristics are, and so forth and so on.

Big mistake!

It wasn't until Tom disappeared into the woodwork that the story got back on track.

I expect that Mr. Hanks (senior) has to be faulted for that poor judgment call, since he took on the mantle of producer, as well.

To ensure that sonny boy got the part?

There's nothing worse than nepotism in Hollywood, except for the casting couch, of course.

There didn't appear to be any hint of incest here, so I rest my case.

"The Great Buck Howard" is not great, but most certainly, near great.

While eliciting wild guffaws from a captive audience, "Buck" manages to make a subtle statement about the vagaries of fame, the lack of manners in our "me"-oriented society, and a keen insight into the ugly underbelly of the human condition in America today.

I say, two thumbs up!



http://www.julianayrs.com

The Seeds of Time...Vancouver band of Pacific Northwest rocked! Baby Doll get your a** back home...



Just yesterday, a friend on facebook - who I have known for almost forty years - posted a faded photograph of a trio of us from way back in the late sixties.

One pal featured prominently in the still - Amazing Jim - used to manage a Pacific NorthWest Band (based in Vancouver) by the illustrious name of "The Seeds of Time". (circa 1967 - 1974)

I recall the first time I caught their act at the Golden Palace Opera House on 4th Avenue in Kitsilano, Vancouver (B.C.).

Immediately, I was impressed with front man Geoff Eddington's in-your-face style.

His plaintive vocal style could be bluesy and soulful one moment - downright raw and gutsy - the next.

Rocket Norton, on the other hand, was the pretty boy of the band, a capable drummer that groupies gravitated to like flies on sh**. (Gary Wanstall)

Lindsay Mitchell (the brains behind the music I am given to understand) and Steve Wally played guitar and bass respectively to wide acclaim.

Hawirko and Mitchell were childhood pals who formed the group Seeds in the latter part of 1969.
The Seeds recorded a bunch of tracks at various Vancouver and Washington State venues over the course of the early seventies and released several self-financed demo singles in 1974 such as the catchy tune, "My Home Town".

When the band broke up eventually, Mitchell formed Stanley Screamer (1976).

The popular performance band featured a new singer (Ron Tabak), guitarist Tom Lavin, drummer Rodney Higgs (aka Jim Vallance; a Bryan Adams lyricist), and bassist Ab Bryant.

Stanley Screamer transformed the earlier "Seeds of Time" sound into a tight pop niche as they did the party-hearty on the nightclub and salloon circuit in B.C. and out on the prairies.

John Hall was rallied to take on keyboards to round out the rich sound, on the heels of which, their name was changed to Prism.

Immediately, the band was signed with GRT recording studios.

A debut album in the spring of 1977 catapulted the band into Canadian pop star status.

"Spaceship Superstar", "Open Soul Surgery" and "Take Me To The Kaptin", were well-received and rustled up much acclaim for the West Coast achievers.

"It's Over", a biting power ballad, was also a turning point for them in the musical mainstream.

The record created a four-album relationship with producer Bruce Fairbairn and there was no looking back.

"Heart" and "Aerosmith" followed in Prism's mighty footsteps on the charts when Fairbairn channeled his energies in their direction.

Flipping through old copies of the Georgia Strait - or other head magazines of the hippie-era hand-published out of San Francisco "North" - triggers old memories I am still inclined to treasure to this day.

One of the "Seeds of Time" original tunes I hankered a lot to was "Baby Doll".

When Eddington belted out that rousing little ditty the dance floor started hopping!

"My Home Town" hit the right spot, too, in addition to "Crying the Blues".

Amazing Jim (Wilson) once recalled the day the band received a residual check in the mail from the David Letterman Show.

Apparently, Paul Schaeffer (another celebrated Canuck) played a few bars of the band's "Muskrat Rumble" on a broadcast which generated an unexpected pay-day for the legendary "Seeds of Time".

If I am not mistaken, the band met with a modicum of success on the concert circuit across Canada - and at one point - was hired for a headlining gig at the World Expo in Montreal (Quebec).

Their ballsy playing style was probably at its peak whenever they played the Easter Be-in each year in Stanley Park on a handful of colorful tie-died blow-outs.



Ah, but I am still inclined to belt out a verse or two of "Crying the Blues" now and then, especially when a tinge of nostalgia heads home to roost.





Seeds of Time
(Be-in 1971)

http://www.julianayrs.com

"Train Master"...Hollywood Video Stores will carry release of the Phil Bransom children's feature!



Last year, I took in a screening of Phil Bransom's entertaining feature film geared toward the youth market, titled "Train Master".

In a nutshell, the exciting drama is all about a handful of kids who get trapped on a run-away train, and are charged with the responsibility of resolving the dilemma in the face of eminent danger.

I reviewed Bransom's - "Train Master" - shortly after the Disney-style project lit up the silver screen at the Backlot Film Festival in Culver City.

Post: 04/14/08

http://ijulian.blogspot.com/2008/04/train-mastercharming-family.html

On the heels of being well-received in the Hollywood film community, "Train Master" was also accepted into the fold at the Kid's First website.

The Kid's First web site reviews a multitude of projects with the specific aim of shedding the spotlight on films suitable for the youth market - and in doing so - have taken a novel approach.

Children at the Kid's First site give a popcorn rating to films they find suitable for viewing by their contemporaries.

Recently, the affable director's film also received the Dove Award seal of approval for family-oriented bill-of-fare!

In 1991,The Dove Foundation began promoting family-friendly entertainment.

Their standards and criteria are based on Judeo/Christian values which are free from the pressures of commercial interests.

"For years we have watched the morals and attitudes of the entertainment industry slowly creep into our society. We maintain that the number of PG-13 and R rated films, with their increasingly salacious material, are not representative of the desires of millions of movie goers."

"It's time for positive family values to impact those in Hollywood instead of Hollywood impacting family values."

Dick Rolfe
Co-Founder & CEO
The Dove Foundation


"Train Master" will be available for rent on May 12th at most Hollywood Video stores.

Good luck with it, Phil!


AFI Dallas...overbooked seats, mistreatment of Festival Volunteers, and John Wildman's rude & insulting staff!




AFI Dallas just celebrated its third illustrious year on the Festival circuit.

Already, the AFI chapter out of the Lone Star State, has proven to be a creative (and marketing) force to reckon with.

For example, when the festival wrapped last year, ticket sales were tallied at a whopping $100,000.00.

But, get this!

Before AFI Dallas even swung open its screening doors at the two venues playing host this year (NorthPark & Magnolia Theatres) the box office had already managed to rustle up the staggering sum of $100,000.00 plus in sales receipts.

Understandably, AFI Dallas is currently going through growing pains, especially in respect to the booking process.

For example, shortly after I left the red carpet one evening, two film buffs dashed up and angrily waved a couple of tickets in my face.

"Sir, this festival is selling seats that aren't any good," he hollered with a tinge of frustration in his voice.

Say what?

Apparently, the filmgoer and his girlfriend purchased two tickets for "Gigantic" at Victory Park, then proceeded to stand in line with all the other excited ticket-holders the night of the much-anticipated screening.

After about thirty minutes later, they were turned away without explanation (along with about thirty other disgruntled movie buffs in the same situation).

"It's not the money," he lamented.

"My girlfriend and I made the plans for the date earlier in the week and intended to make a romantic night of it with dinner and everything."

Then, he made an important observation.

"There was no notice on the ticket that said we might not get a seat. And, they didn't inform us that even if we stood in line, we might not get in."

Boy, was he pi**ed!

I noted for the record that I was in their corner all the way.

In retrospect, it appears that a pass-holder (an individual who buys a pass for access to all films during the course of the AFI Festival for a set fee), Festival big-wig, or a member of the Press was given priority in spite of the fact the young couple paid well-in-advance with cash in hand.

That stinks!

In addition, a handful of volunteers who were promised passes to a couple of films in exchange for their services throughout the day, found themselves SOL on occasion, too.

Frankly, in my opinion, those tickets should have been honored along with the rest.

If not, the least the Festival could do is promise cash in exchange for the face value of the ticket, to ensure volunteers are properly compensated for their generous contribution to the success of the Festival.

Don't you agree?

Notwithstanding those glaring irregularities which need a quick fix, a couple of John Wildman's staff in the publicity department were not only incompetent (and prone to tell lies), but rude and insulting to members of the press, on occasion, as well.

For instance, although I received an invitation to attend a noon-hour event sponsored by the YMCA for underprivileged kids, details about the red-carpet event were not forthcoming from Tanya Wright (who was in charge of organizing the press).

On the night prior to the outing for the young ones, I hadn't received specific details to facilitate coverage of the event, so I queried Miss Wright about the schedule for the next day in person at the Magnolia venue.

"I'm organizing that now," she excitedly chirped, "And, will send out the information tonight."

When the info failed to arrive by 9 a.m. in the morning, I zipped off an e-mail to Wright with a request for the info.

In a response e-mail, which arrived about an hour later, John Wildman's right-hand woman suddenly did an astonishing about-face.

"There isn't any event scheduled for the lunch hour," she insisted in her curt reply.

At this juncture, I dredged up the e-mail invite from the AFI mailbox, and inserted the information into a follow-up communication that essentially noted for the record that she was obviously mistaken.

Within minutes (and shortly after firing off an e-mail to John Wildman about the discrepancies) Ms. Wright e-mailed back.

"Okay. There is a function. You are welcome to attend. Show up on the red carpet at 11:45. See you there."

Duh!

I arrived at NorthPark just in the nick of time, as hundreds of kids bounced off bright yellow busses, and on to the red carpet for photo ops with popular actor Patrick Warburton.

When Ms. Wright spied me taking notes, a curious look crept across her face.

Then, she dashed over and made an odd comment in view of the aforementioned facts.

"Oh, you came!"

"Of course," I replied sternly, "I was invited."

After the fun-filled event wound down, and the kids were happily seated in the theatre munching on snacks, I proceeded to check my e-mail.

In one hasty communication, John Wildman tried to gloss over the obvious, and took a position in which he sought to exonerate himself and Miss Wright of any blame for the alleged misunderstanding.

In so many words, Wildman asserted that the info on the event was not forthcoming because he and Miss Wright were under the impression I would probably not be interested in attending an event crawling with hundreds of kids (!).

Then, he took a dishonest leap, and made a wild statement that since the Tattler wasn't the kind of publication that was interested in news items pertaining to school kids, that AFI Dallas elected not to follow through and provide the information promised.

Mr. Wildman obviously never reads the Tattler.

If he did, he'd know that I have penned stories on Kids First, for instance, an organization that sifts through films in search of ones that meet the right set of criteria for the youth market.

In addition, I have reported on workshops for children that are held from time to time at the David Geffen Playhouse in Westwood.

Likewise, I have written posts on children's books, the dangers of lead-poisoning in toys, face-painting and costume-making at the Grove mall, and so forth and so on.

I always endeavour to reach out to the community, no matter what the age group!

In a follow-up e-mail, I pointed out that I was disappointed that Wright would lie to me to cover up her shortcomings and save face.

That evening, Miss Wright (obviously stung by the remarks I made to John Wildman earlier in the day) continued with her lies and deception.

Although I informed her that I did not wish to discuss the matter further - after all, she was causing a scene on the red carpet in front of other journalists, the paparazzi, and Festival-goers - she became belligerent.

In a burst of rage, she retorted angrily:

"No wonder no one likes you!"

I was shocked by her unwarranted mean-spirited remark which was totally unprofessional.

In fact, her wild assertions were not true!

Almost daily, I have received complimentary remarks in response to a myriad of posts - and, likewise, regularly receive a raft of e-mail communications in which fans note how much they do, in fact, like me.

Needless to say, I didn't attend AFI Dallas to win a popularity contest.

A few minutes later, I happened to bump into John Wildman on the red carpet.

Holy mac!

He refused to believe that his self-indulgent assistant uttered the nasty comment.

"She didn't say that," he angrily asserted.

Fortunately, a journalist who was present when Miss Wright aimed the ugly slur at me, happened to stroll by at that precise moment.

So, I grabbed his arm and pulled him Wildman's way - at which point - he confirmed what had transpired earlier.

"I'll talk to her," he promised.

I guess he followed through, because on the heels of the incident, I began to also experience problems with Miss White's associate (Michael Devous).

Was he retaliating against me because of my run-in with Tanya Wright?

Although John Wildman assured me details for two big gala events would be forthcoming in an hour or so from the desk of Mr. Devous, no confirmation on time schedules and locations were sent out.

Finally, I drafted an e-mail to Mr. Devous in which I noted for the record, that for some inexplicable reason the information was not forthcoming.

Mr. Devous reacted like a flippant Queen.

In an communication fired off a few seconds later, Devous "pasted" a page from the dictionary which spelled out the precise meaning of the word "inexplicable".

Then, the catty little man had the gall to infer that the e-mail address on file for me (which I provided weeks ago) was probably the reason for the mix-up in question.

In sum, Devous tried to thrust the blame on me by alleging that I gave him an incorrect e-mail address, which accounted for the failure of information to arrive safely in my mail box.

What a load of hogwash!

The e-mail address he was referring to was - in fact - correct.

If the bombastic little sh** had a higher IQ, he would have surely noticed that the e-mail address he was referring to "forwarded to" my yahoo account.

In a nutshell, the two e-mail accounts were merged together, so there would be no need to check both accounts individually each day.

Indeed, every e-mail Mr. Devous sent out since we were first in touch weeks ago not only arrived without incident, but was promptly responded to.

How do I know?

I forwarded all the e-mails to myself so there would be copies on file.

Of course, I am not surprised by the bit**y conduct of Mr. Devous - especially after witnessing his personality on the loose in the AFI Lounge now and then during the course of the fest.

For example, on two specific occasions I was witness to, the PR flunky was drunk and disorderly in front of a roomful of celebrated festival guests, members of the press, and AFI staff.

Yup, the swirling dervish made a total a** of himself!

Time to clean house, Mr. Wildman!



http://www.julianayrs.com

 
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