Friday, April 10, 2009

AFI Dallas...Adrien Brody, Lou Gossett Jr., Janine Turner, Jeremy Renner lit up red carpet! Glittering Fest a smash hit...




















Some say film festivals are all about the movies.

True, they are.

However, were it not for high-profile stars trotting down the red carpet, there wouldn't be much glitz or glamor.

Moreover, festival organizers would have to rely on promos focused on a particular demographic to get filmgoers in the door.

AFI Dallas was not wanting for celebs to tease the audiences!

Here is a sampling of a few of the charismatic show biz personalities who lit up the red carpet and sparked a meaningful dialogue about film and the state of the art today in Dallas this week.

Joaquim De Almeida - a co-star of Che (often seen portraying nasty pieces of work like Drug Lords from South America) is one of my favorite character actors who stars in the soon-to-be-released drama "A Burning Plain".

At the screening, gossip mongers were tattling that De Almeida and co-star Kim Basinger, would be steaming up the silver screen with a smattering of sexy love scenes.

"Yes. We have some intimate moments together," the handsome thespian chuckled.

"In fact, the day before the shoot started, we talked extensively on the telephone about what our approach would be."

In the final analysis, both agreed they were professionals, and that they would just "do it".

"We started with a simple scene which consisted of just a kiss. Then, over the next week, Kim and I built up to the intense moments."

Lou Gossett Jr. appeared on the red carpet to tout his new project premiering at the AFI Dallas, wearing a T-Shirt emblazoned with the word "eracism" on the front in keeping with the plot line of the film.

When I asked him why he chose "The Least Among You", he noted the reason was twofold.

"First, because of my faith. Second, because of the subject matter."

The low-budget short was about the 1st African American to attend a Religious College.

Although Mr. Gossett's acting was excellent as usual, I found the project to be amateurish and poorly-written.

Before he moved on to another reporter, he quipped:

"Our children are our future, not oil."

Cheryl Ladd's daughter - a pretty petite young lady with a glow about her - noted that she talked with the director Paul Solet on the telephone for about four hours before jumping on board.

"Grace was described as a kind-of "Rosemary's Baby," she beamed.

Unfortunately, the talented young actress could not save the project which - by most accounts - bombed miserably at the AFI Dallas Fest.

Patton Oswalt - the perennial funny man - was a little more reserved when he chatted up the media to promote his film, "The Big Fan".

"It's similar to great films of the 70's like Marvin Gardens and Electra Glide in Blue," he noted to a crush of press types jockeying for pictures.

Janine Turner (Friday Nights) appeared on the red carpet on a couple of occasions during the AFI Fest; once, at a screening of Monroe's "Gentlemen Prefer Blondes"; then, later at the end of the week at Texas Film Day when Governor Perry also put in a much-ballyhooed appearance to boast about the State's contribution to the film industry.

Turner was gracious, elegantly dressed, and accessible to fans.

The pretty lady gave me a calling card with a striking photo etched on the front.

Sorry, dudes, I'm not sharing!

The producer - and most of the cast of "Pearl" - sauntered into the press room the night of the premiere for their biography on a Chickasaw Aviator inspired by known-flyer Wiley Post.

The director informed that the production was financed by the Chickasaw nation.

The head of the tribe was a bit taken aback by the high price tag, but paid up, nonetheless.

"The Chief thought it was important to produce this project to put the focus on the Chickasaw people."

I pointed out that in Miss Navajo (a film I took in last year at the Los Angeles Film Festival which featured a Q & A with the director) Native American Indians expressed their concerns that if a language and culture were not kept up in the modern day they would disappear in the next twenty years.

He agreed.

Jeremy Renner - a screen heart-throb to reckon with - was a tad serious when he ran the gauntlet to discuss "Hurt Locker".

"It was a challenging role," he confessed. "Film buffs will have to take in a screening to figure it out."


And, who could forget the big splash that Adrien Brody made on opening night when he strode down the carpet for the premiere of Brothers Bloom?

Judging by the frenzied attention he nabbed that night, Brody is no doubt a Hollywood megastar to contend with, in every sense of the word!



Jordan Ladd

http://www.julianayrs.com

Thursday, April 9, 2009

Dallas...police are pigs who harass tourists!


Downtown Dallas is sprinkled with fine museums, chic upscale restaurants to take brunch in, and a bevy of trendy boutiques so you can shop-til-you-drop.

But, just try to plunk down on a knoll of grass for a moment (if you can find one; downtown Dallas is all concrete, after all) and the city's finest will ride out-of-the-blue on a rickety old bike and rudely bark out:

"Get along little doggie."

For example, today I spied a tourist stretch out on a mound of grass to take a respite from it all under a glorious mid-day sun, when he was urged to move on by a couple of law enforcement officers.

When the upscale gentleman in town on business noted he want to take a breather in the parkk for a second or two, one overzealous copper was inclined to snidely remark:

"They don't like that here."

They?

You'd think with the economy failing the way it has been, Dallas and its residents, would be welcoming visitors (and the influx of ready cash) with open arms.

In addition to being thick around the waist and butt, these two losers appeared to be thick in the head as well.

I wanted to point out that one of the last sacred rights an individual has in this great nation is the one that provides that citizens be able to walk the streets freely (and sit in a park openly) without the threat of harassment or a violation of their rights.

But, I expect "they" would have hauled me away and silenced my voice much like they did to another advocate of basic rights and freedoms way back in Dallas in 1963

Dallas, get rid of your "pigs".

After all, they're a detriment to your image!



Nasher Sculpture Garden...a Dallas gem! Inspirational Arts District wows tourists...



I half-expected cowboy towns in Texas to be devoid of any cultural sights to track down.

Not true of Dallas!

A case in point, the Nasher Sculpture Center in the Arts District.

Amid reflecting pools and the soothing sounds of water trickling down from artfully crafted fountains, an impressive array of stragecially-placed sculptures dot the well-manicured gardens.

The collection is not only a knock-out, but an important sampling of work by a handful of the most celebrated sculptors of the the past century.

Open since October 20 (2003), the Nasher Sculpture Center is one of the few institutions in the world devoted to the exhibition, study, and preservation of modern sculpture.

Conceived as a serene urban retreat for the enjoyment of modern art, the Sculpture Center cost $70 million, is 54,000-square feet in size, and was designed by Renso Piano.

Raymond D. Nasher, founder, was one of Dallas’ most influential civic leaders and a patron of the arts.

His passion for modern and contemporary sculpture - and tireless commitment to establish Dallas/Fort Worth as one of the finest cultural desinations in the world - was well-known.

In the final analysis, the philanthropist left a priceless legacy for art lovers to savor for generations to come.

Nasher, according to most accounts, was a down-to-earth man who reached out to all.

One day, a project Manager at the AFI Headquarters lounge remembered the day he drove up to the Nasher residence (designed by celebrated architect M.I. Pei) to set up some equipment for an on-camera interview.

To his astonishment, he encountered a Henry Moore Sculpture at the front door of the Nasher home.

Shortly after the maid admitted him inside, Nasher entered the living-room unannounced, and proceeded to politely ask the blue-collar worker if he'd care for a soft drink.

"Nasher was unaffected by the trappings of his great wealth," he recalled fondly.

There are a couple of outstanding sculptures in the museum that caught my eye when I toured the stunning grounds over the weekend.

Joan Miro (Caress of a Bird) 1967

Here Miro has incorporated common objects into a whimsical totem which depicts a unique female sexuality.

Henry Moore (Vertebrae) 1968

In this remarkable piece, Moore has crafted an appealing arrangement of abstract organic forms from a pair of inter-locking flint rocks that he salvaged from the countryside near his home in England.






Pablo Picasso (Head of Woman) 1958

Picasso's first monumental piece of sculpture facilitated an innovative engraving technique known as Betograve widely-used today in creative circles.




George Segal (Rush Hour) 1983

An intriguing piece that captures a scene from everyday life.

Six commuters trudge along a city street mindlessly and slightly weary of the apparent rat race.

Jonathan Borofsky (Walking to the Sky) 2004


Seven life-size figures briskly walk up a pole as three others lag behind.

A whimsical piece of sculpture which was inspired by a childhood story his father triggered his imagination with.

This sculpture is often used by city dwellers and tourists alike as a visaul "signpost" to locate the Nasher in downtown Dallas.







Wednesday, April 8, 2009

BloodaPalooza...Dallas Tattoo, Art, and Music Festival! April 10 - 12th!





The BloodaPalooza Tattoo, Art & Music Festival debuts at the Sterling Hotel in Dallas (Texas) this weekend.

Organizers are promising the slickest show Dallas has ever seen yet!

The titillating sub-culture extravaganza will feature over 150 tattoo artists drilling away in a 12,000 square foot exhibition hall, over 50 of the top bands (regional and National) blasting away mind-boggling sounds from a rooftop stage (that will be visible for miles), seminars, art galleries, and surprise party favors.

In addition, there will be a myriad of exhibitors and sponsors hawking their wares on site.

And get this: there will also be an acoustic stage indoors, a VIP and video lounge to loll about in, and a Ms. BloodaPalooza Contest.

BloodaPalooza is slated to also award over 100 trophies & awards in multiple tattoo-design categories.

Artists and local businesses are revving up the affair by donating a handful of coveted keepsakes for a silent auction that will benefit Operation Homefront.

Operation Homefront is a charity that benefits military personnel and their families.

Yup!

Support a good cause and have fun while doing it.

It's all underway and full steam ahea at the Sterling Hotel this weekend.

See 'ya there!




Dallas AFI...Morenita a cautionary tale about corruption, drug-running & the sacred image of the Virgin Mary!




Alan Jonsson Gavica
(left)



Morenita is a small film in some respects (not grand or sweeping at all) but, in the framework chosen by skilled director Alan Jonsson Gavica, resonates with a certain truth.

In a nutshell, the foreign film is about a Mexican laborer down-on-his luck, who agrees to act as a runner for a drug dealer (his brother) to make ends meet.

When the nefarious activities go awry, the desperate young man - soon-to-be a father - uses a contact to commit an unthinkable crime.

What follows is a Nation's grieving and a no holds-barred struggle between good and evil to restore the nature order of things.

Mr. Gavica is an engaging man who flew in from Mexico to participate in a Q & A at the premiere of his action/adventure piece at AFI Dallas the end of last week.

As we chatted each other up on the shuttle bus to the venue in the West Village (the Magnolia Theatre) where the low-budget independent was being unveiled, it was evident that the articulate auteur was quite knowledgeable about the art of filmmaking.

He confessed that on occasion, in order to get the footage he needed, it was necessary to tell a "white lie" or two.

For example, the image of the Virgin Mary at the Basilica, was an integral part of the plot line for "Morenita".

However, the priests at the Holy site rarely ever permitted filmmakers - even tourists - to photograph the revered image of the Virgin Mary.

So, Mr. Gavica and his producer quickly conjured up a tall tale, to appease the powers-that-be.

"We're shooting a documentary on the Virgin Mary and the Catholic Faith," he earnestly asserted to Church Officials.

On this false premise, Gavica was able to gain access to a location needed to wrap the project.

Would he burn in hell for pulling the fast one?

"They'll probably find out," he grinned sheepishly.

"You betcha! 'Cause I'm going to report it in my post on the film," I laughed maniacally.

In the final analysis, though, Gravica doubted they'd denounce him or "Morenita" publicly.

"They don't want to give us the publicity."

As to the film itself - personally - I found Gravica's occasional "light touch" at the helm refreshing.

For instance, subtle flourishes here and there resonated strongly with my artistic sensibilities on occasion, when least expected.

And, likewise, I was jolted emotionally when Gavica switched into high gear and splattered the screen with gritty realism essential to plot twists that happened along unexpectedly about half-way through.

A main story line which focused on police corruption in Mexico also rang true in view of recent news reports filtering out of that troubled nation in recent days about the widespread graft.

While not Oscar material, "Morenita" is entertaining bill-of-fare offered up in Spanish with English sub-titles.

Although Morenita will definitely cash in below the border, film buffs may find the feature worth taking a gander at, too, on U.S. soil.







Tuesday, April 7, 2009

AFI Dallas...The Cove, The Burning Plain, Valentino & Pearl are films to keep eye on! Festival a rousing success...


The Cove, an informative tale on wild-life preservation from a TV producer turned activist, is one of a handful of films I missed at AFI Dallas due to scheduling conflicts.

Many film buffs faced the same dilemma as they struggled over festival choices and ended up - like moi - tossing a coin!

All kidding aside, of the 180 or so AFI offerings this year, there were a few stand-outs worth catching at the local movie house or renting at the DVD outlet nearest you when they're released sometime in the near future.

Here is a run-down (and a synopsis) of a few of 'em.

The Burning Plain

In this intense drama, director Guillermo Arriago explores the past and present and the curious way both affect several people separated by time and space.

"It's all about a journey to redemption," according to the producers.

Starring Kim Basinger and Charlize Theron.

Valentino: The Last Emperor

An intimate peak into the scintillating world of legendary fashion designer Valentino.

The filmmaker insightfully pulls back the veil and artfully spotlights the icon and a celebrated career that spanned the decades - and in the process - impacted the rag trade immeasurably.

Tattooed Under Fire

Director Nancy Schiesari was passionate about her project when I spoke to her one day on-the-fly in the AFI lounge at Victory Park.

"Tattooed" is an in-depth look at military personnel and their penchant for body art.

"The tattoo is a language that soldiers use to bond and communicate with each other."

Ultimately, the life-changing filmmaking foray, amounts to a provocative, poignant, and highly personal look at the human and cultural cost of war, she alleges in the final analysis.

Pearl

The inspiring tale of a young Chickasaw woman with a passion for flying and mentor Wiley Post who helped the young dreamer accomplish her lofty goal to become an aviator.

Directed by King Hollis (The Accident)

Whatever it Takes

Director Christopher Wong focused his revealing lens on a remarkable man who runs a center for Science and Mathematics for underprivileged black youths in the Bronx.
(Documentary)

Push Button House

A delightful peak at an environmental wonder crafted by creative genius Adam Kalkin.

With a visionary eye towards the future, a packing crate is transformed into a sleek, modern pre-fabricated home.

Directed by Ryan Silbert & Robert Profusek

The Cove

Director Lois Psihoyos throws the spotlight on Richard O'Barry, the creator of the original "Flipper" TV Series.

In this riveting expose, the activist uncovers the ills that befall animals held in captivity against their will.

Zombie Girl: The Movie

A 12-year-old's journey into the topsy-turvy world of film production not only entertains, but ends up being instructive to young filmmakers in the throes of crafting their first project .

Directed by Aaron Marshall, Justin Johson, and Erik Mauck.

Hollywood Beats

In the wake of the success of Slumdog Millionaire, a dreamer's musings - which unfold in an uplifting manner in Bollywood Beats - burst out in full glory on the silver screen.

In a nutshell, it is a tale about a down-on-his-luck dancer who sees his fortunes change due to a chance encounter.

A celebration of the indomitable human spirit.

Director/Screenwriter: Mehul Shaw
Executive Producer: Kathryn Taylor
(Patron of the Arts)

As they say at MGM:

That's all for now, folks!



Monday, April 6, 2009

AFI Dallas...Rock Slyde spoof on Film Noir genre sparks interest! Patrick Warburton & Andy Dick in top comedic form...





Andy Dick and Patrick Warburton appear on screen in top comedic form in the Independent feature, Rock Slyde, which premiered at the AFI Dallas Film Festival this past week.

The idea for the off-beat film was inspired by the handsome director's mother, Chris Dowling noted on the red carpet, with a sly smile on his face.

"Can't you make a movie that doesn't have any violence or gratuitous sex in it," she pointedly asked the talented screenwriter one day.

The Clark Kent look-a-like rose to the occasion by penning a script that hits the funny bone more often than not.

Patrick Warburton (private dick Rock Slyde) adeptly plays the role to the hilt - with a droll unaffected approach, mind you - that ultimately takes a poke at the film noir genre it sprang from.

Andy Dick - who sports a beard in this part - is hilarious in a zany role that is decidedly off-beat.

Part of the reason the cult figure the TV personality plays on screen succeeds so admirably is due to inpeccable timing on the part of Dick and his innate ability to create a character that resonates with its own truth within a specific context.

Unfortunately, Rock Slyde - the movie - lags at times.

Although Dowling is a competent writer with original ideas, the script should have been tightened a smidgen, to ensure lazy minds didn't wander a tad.

In fact, when I exchanged notes with a couple of other industry-types, they admitted they - too - started to snooze a little about three-quarters of the way through Slyde beneath the floodlights.

In its current incarnation, the full-length feature tends to lurch and burp a bit; then, roll over and die a second or two, before unexpecedly picking up again as it races to a hilarious finale.

In many respects the entertaining piece of fluff is uneven - but fixable - in my estimation.

For a low-budget feature (shot on an old soundstage at Sunset Blvd & Gower Street in the heart of Hollywood) that wrapped in a six short creatively-stuffed weeks, I found the production values to be surprisingly rich.

Warburton and Dick also manage to rise above the material and make it an inviting popcorn movie film buffs on the edge of the mainstream may be able to warm up to.

Teens may guffaw a lot, too, quite possibly transforming the little-movie-that-could into an unexpected hit come the lazy days of summer.

Of course, such a scenario is only within reach, if distribution is forthcoming, and a visionary studio backs Rock Slyde with eye-catching promos geared toward the market, of course!

1 thumb & 1 half-knuckle up!

http://www.julianayrs.com

Sunday, April 5, 2009

AFI Dallas...Mike Tyson! A champ & chump as seen through eyes of LSD-tripping Director James Tobak!



"Tyson" is an explosive - mostly insightful - foray into the personal and professional life of the boxer as seen through the drug-induced eyes of director James Tobak (Exposed & Pick-up Artist).

Electricity ziz-zagged lthrough the air like a bolt of lightning whenever the larger-than-life Champion step into the ring.

In time, frenzied fans ended up riveted to the edge of their seats uncertain of the fighter's fate; after all, in view of Tyson's unpredictable conduct in the past, who knew what might next in the ring.

Although there were a number of knock-outs (thirteen of them in the 1st round) - on occasion - fights were brought to an abrupt halt due to Tyson's uncontrollable rage which often pushed him beyond the limits.

At one juncture, Toback highlights a title rematch with Evander Holyfield - and when he does - the experience is gut-wrenching as shocked fans witness the infamous ear-biting incident which shamed the former golden boy of yesteryear.

"I was in a rage. So mad, that I just had to hurt him," Tyson recalled in one intense reveal on the silver screen.

The fast-paced documentary proceeds to follow the troubled athlete from his days as a hoodlum on the mean streets at age fourteen to the current day as he ponders a return to the ring.

Yup, Tyson once held the world in the palm of his celebrated fist, but it all slipped away.

The phone would ring at four o'clock in the morning.

When Toback plucked it up - at first - there was an eerie pause.

"James?"

"Yeah, Mike. I'm here."

Then, the two pals would ramble on in a conversation that spanned topics from death, to murder and suicide, fame and money, and the state of the fight game.

From this venting, Tobak stumbled on the idea to craft a documentary on the life and times of the once-celebrated kid from the wrong side of the tracks who rose to the height of his game with dizzying success.

"When I heard him wheeze on the other end of the phone one night, I suddenly realized that Tyson had asthma."

Then, the underlying theme for the documentary evolved.

"That's the reason he went for a knock-out in the 1st round. Mike was afraid he'd run out of breath and that he'd better down his opponent as quickly as possible."

"My approach was psycho-analytical," Tobak noted to the rapt audience at the Magnolia Theatre the other night, where the much-anticipated film was being screened under the auspices of AFI Dallas.

For ten hours a day, over a five-day period, he interviewed Mike.

The reflections - Tysons's musings, his angst, what-have-you - were offered up by way of split screen images and in a montage that cleverly maneuvered a probing reveal.

In addition, old news clips and flashbacks were artfully juxtaposed, to spark the bio and move it along at an entertaining pace.

Early on, Tyson admitted that he owed his success to a mentor, who pushed him on unrelentingly.

"He'd always be saying - "You look good, Mike" - or "You're in great physical shape", things like that."

At first, Mike surmised his manager might be gay.

"I realized one day that he was just building my confidence. Making me believe in myself."

After following the trainer's advice explicitly in the ring, it did not escape Tyson's attention, that he won all the bouts in the wake of the man's precise hard-hitting boxing tips.

When he passed to spirit suddenly one day, Tyson was devastated.

"My whole world fell apart," he recalled sadly.

Shortly thereafter, fast-talking promoter - "Don King" - breezed into the arena.

Tyson didn't have any kind words for the high-profile fight-man who took advantage of Mike in more ways than one.

"That serpentine piece of trash stole from me," he hissed into camera.

The Robin Gibbons fiasco was also fleshed out, too, in spite of the fact,the territory has been well-mined.

In one funny scene, Mike & Robin are caught in a sit-down interview with Barbara Walters.

As Gibbons poured her heart out about Tyson's rages - and terrible mood swings - the camera panned to Tyson who - not once - offered up a word in edgewise.

No, he sat meek as a lamb.

At one point, Walters is captured glancing at Tyson with a look that seems to say:

"Are you going to take this sitting down, Mike?"

"I knew they wanted me to get upset and fly into a rage. It was a set-up. I wasn't going to fall for it," he lamented.

On the subject of sex and relationships, Mike noted for the record:

"I like to wound my prey. Then, dominate."

In fact, Tyson - in some respects - is kind of kinky.

Tobak giggled that the buffed boxer once slept totally naked with just his prize belt on.

Tyson is potent filmmaking in many respects - but overall - falls flat.

In the final analysis, outdated filmic techniques hinderTobak's ability to impact the medium, or strike gold with his subject.

During a Q & A that was terribly cerebral - and self-indulgent - audience members were inclined to shut down.

In fact, before Tobak had the opportunity to field questions from fans, they'd all slipped out of the theatre to seek more entertaining climbs elsewhere on the Festival grounds.

Maybe those LSD trips - which he admitted bummed him out so many years ago - have had a more lasting impact than he'll ever know.

It was evident to film buffs present, though, that Tobak's lost that magic touch!
 
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