Saturday, April 4, 2009

AFI Dallas...Governor attends Texas Film day; Peter Bogdanovich reveals he's an arrogant son-of-a-bit**; Neiman Marcus gala closes out fest!






Urban Cowboy shot in Texas!






The Governor trotted down the red carpet glad-handing celebrated guests and members of the press, Director Peter Bogdanovich accepted a Dallas Festival Award for his contribution to the film industry in the Lone Star State, and film clips underscored the number of quality movies shot in Texas over the past couple of decades.

The AFI event was a dizzying high-energy affair that attracted locals and movie stars from far-and-wide, who touted the industry at the drop of a Texan ten- gallon hat.

Aaron Norris (Chuck's son) noted that he pushed hard to ensure that "Walker" was shot in Texas, in spite of the fact it may have been cheaper to lens elsewhere.

His pretty young daughter, recently wrapped up a filmmaking course at Pepperdine University on the Southern California Coast, just a hop-and-a-skip away from the ritzy climbs of Malibu.

We joked about the fact many a leisure hour was spent surfing ideal beach conditions.

"Dad took advantage of it when he came to visit me," she giggled.

Character actor Barry Corbin (No Country for Old Men) grumbled about the fact producers often shot in New Mexico when they were depicting locales that were supposed to be Texas

Of course, new tax incentives to be introduced in the legislature later this month, may change all that.

According to a Dallas Film Society official I spoke to yesterday, within the next thirty days, sliding-scale benefits will be introduced to lighten the financial burden for filmmakers here.

On the podium a few minutes later, the Governor confirmed that.

"We're shouting loud and hard to Hollywood. We're here!"

When I asked a couple of the locals if the Gov was well-liked, or doing a good job, they shrugged.

Then, they confessed they were die-hard Democrats and not behind the politician one-hundred percent, for obvious reasons.

I should have known by the finely-tailored dress suit - and bright red tie with floating patterns - that the man was a shill for the Republican party.


Betty Lyn Buckley (Tender Mercies) noted that she moved back to Texas (she's currently residing on a ranch outside of town fulfilling her dream to train & work with cutting horses) applauded the State's efforts to revive the film industry in Texas.

On Tuesday, she'll receive a Texas Medal Award for the Arts.

How was it to work with Robert Duvall?

She emphasized that he was the best "silent communicator" in the acting field today.

Peter Bogdanovich was a big disappointment.

Earlier in the day, he screened a Director's cut of "Texasville" , which was downright sloppy and unprofessional.

When I attempted to pin him down with a couple of questions regarding the issue, he became rude and insulting.

Was he in a state of denial?

At one point, a gust of wind blew a handful of notes out of my hand, and they fluttered to the ground at my feet unceremoniously.

I was inclined to continue on without interruption so I wouldn't hold Mr. Bogdanovich up.

The aging film director (who looked like a mummified version of himself) was so slow on the uptake, though, that he ended up revealing a mean-spirited side which took me by surprise.

With a smirk on his face, he quipped:

"You dropped your notes."

That was obvious to any fool on the carpet.

Was it necessary to rub it in???

When I bravely moved on in spite of the hiccup, bystanders noted that I demonstrated my innate ability to handle unexpected disasters in a professional classy way.

In spite of that, Bogdanovich chose to twist the knife in a beat or two later.

After he walked away, he half-turned and smirked, "You dropped your pen, too".

It was evident now that Bogdanovich was an unfeeling arrogant son-of-a-bit** without an ounce of compassion.

In the final analysis, the gust of wind that sent my notes flying asunder, was a Godsend!

Up until that point in time, I had been wrestling over how I would deal with Mr. Bogdanovich's shoddy presentation earlier in the day.
Although I there was sufficient cause to criticize his artistic judgment at this point in his career, I I was hopeful I could salvage an image I'd been quite respectful of, until he demonstrated his mean-spirited character on the red carpet last night.

No problemo, now!

A review of the screening of Texasville, and thoughts on his Q & A, will follow in a few days.

Shortly after the Governor stood on the podium and tooted the big Texas horn, the guests trundled off to Neiman Marcus for the closing night Gala.

At the entrance to the upscale store, two lines of well-dressed waiters stood at attention with trays of White Wine in expensive glass goblets and expensive imported beer.

Inside, the tony elite snapped up scrumptious finger food prepared to perfection by a top notch local catererer.

Many males were decked out in smart suits, with bola ties, and wide-brimmed cowboy hats.

The ladies were elegantly dressed-to-the-nines.

For example, Susan Flasdick was attired in a stunning Alice & Olivia cocktail dress with subtle decorative beading, which was a knock-out.

Meanwhile, the musical stylings of Deryl Dodd, revved up the high-spirited guests who hobnobbed with gay abandon amid a setting that was decidely rich in festive spirit.

When the potent wine started to give me a buzz, I begged off for the night.

At the door, Neiman Marcus bid the guests adieu, as they pressed gift bags into their finely-manicured bejweled hands.

Imagine my shock when I opened up the goodie-bag later and got wind of the mysterious contents inside: a bottle of Barbecue Sauce and two stickers touting the Texas Film scene.

Those cheap bastar**.




Friday, April 3, 2009

AFI Dallas...Awards to Rock Prophecies; Prom Night in Mississippi; Skin! Glittering Festival wraps down...








Films about a legendary rock star photographer (Robert Wright), the 1st integrated Prom Night in Mississippi, and a haunting tale about two children surviving in the wilds (St. Nick) nabbed top prizes at a glittering soiree last night at the AFI Dallas Film Festival.

As filmmakers sat in suspense at the edge of their seats at the AMC Theatre at NorthPark mall, I chatted up a handsome woman who sat next to me.

Turns out, Rossie Grose was there to accept a trophy they landed for their well-received film, "Prom Night in Mississippi".

We joked about the prepared "acceptance speech" the die-hard film buff was about to read on their behalf.

Would Ms. Grose thank all the little people in true Hollywood style?

"Yes," she nervously giggled.

Earlier in the evening, President & CEO of AFI Dallas was tight-lipped on the red carpet about the prestigious Environmental Award he'd be handing off to one lucky filmmaker.

"My wife and I know nothing about film. We're just like any regular person who enjoys movies and takes one in now and then if it piques our interest," he beamed in so many words.

"Rock Prophecies" won a Best Documentary Award.

The upbeat popular entry - it was the highest vote-getter across the board from audiences and jurors alike - featured the rock band Sick Puppies and took an in-depth foray in the world of Robert Wright, rock photographer extraordinaire.

Personally, I was thrilled when "Skin" was singled out for a prize, too.

On a couple of occasions I have had the opportunity to pick the director's head (Anthony Fabian) a bit on the red carpet.

Last night he gleefully quipped:

"The Lone Star state is Skin's lucky star."

The drama focuses on a true story about apartheid in South Africa and was blessed with bravado performances by Sam Neil and Alice Krige.

Gigantic (Director Matt Aselton) - a sell-out with film buffs throughout the festival - won the well-deserved honor of being pushed into the spotlight, too, when it snapped up the $25,000 TARGET Narrative Filmmaker Award.

"This film was hard to pin down. Matt is an amazing filmmaker," one Judge was inclined to enthuse.

Through a spokesperson the director labelled the experience as an "awesome" one.

"Everyone go get drunk for me."

"Against the Current" director Peter Callahan ( the film co-starred Mary Tyler Moore) was quite humble, thanked his supporters, and noted that he fell in love with the city.

St. Nick won a top honor when it received an award for the best film to be shot in-and-around Texas.

At the high-energy after-party at the AFI Festival Lounge, the director David Lowery noted that he would use part of the $9,000.00 prize money to pay off bills!

I expect he'll put the $11,000.00 post production winnings towards work on his next project which remains unknown at this point in time.

"I won," the producer for "Suddenly Last Winter" cried out when she spied me worming my way through the mad crush of party-goers at AFI headquarters in Victory Park.

A deserving prize, indeed!

Kazik Radwanski’s "Princess Margaret Blvd" won the award for Best Short with Honorable Mentions going to both Todd Luoto’s OIL CHANGE and Denis Villeneuve’s NEXT FLOOR.

“Hug” AND “Chicken Cowboy” also won in the student film categories.

“This year, we were fortunate to have so many exceptional films that challenged the audience artistically and conceptually. It was a very competitive year in that respect and while we were all the beneficiaries of that, by its nature the jury had the difficulty of having to choose one film to honor over the others," one AFI rep noted to the tony audience in attendance," a festival rep gushed.

The artistic Director added:

“In our third year, the city of Dallas and the international film community truly have begun to take note of the distinctive personality of this film festival – both through the evolution of our programming and what is becoming more accepted every year – the peerless presentation and hospitality that have been hallmarks of AFI DALLAS from the very beginning.”

Highlights of the Film fest this past week included a Centerpiece Screening of Guillermo Arriga’s THE BURNING PLAIN with Arriaga and Joaquim de Almeida in attendance; a screening of the cinema classic CHINATOWN with Robert Towne (which included a presentation of the AFI DALLAS Star Award to him prior to a special Q & A with film critic Richard Schickel); and a special screening of THE LAST PICTURE SHOW with Peter Bogdanovich in attendance.

Bogdanovich was scheduled to be honored with the AFI DALLAS Star Award the following day at the Texas Day celebration.

Also honored with the AFI DALLAS Star Award were Kathryn Bigelow (prior to a screening of her film THE HURT LOCKER) and Rita Hayworth (presented posthumously).

Meanwhile, Henry Selick was given the Texas Avery Award for his animation techniques which have greatly impacted the industry in recent years.

The festival also featured Talk Show panels at the Nasher Sculpture Center and Speakeasy panels at the AFI DALLAS Festival Lounge.

The festival closed with AFI DALLAS Closing Night Gala presentations of Louis Psihoyos’s exciting entry - THE COVE - and James Toback’s TYSON (Thursday, April 2) at AMC NorthPark. Both directors attended the screenings and remained after for Q & A sessions.

Other notable attendees at this year’s AFI DALLAS Film Festival included Alice Krige, Jordan Ladd, Patton Oswalt, Rob Siegel, Devon Aoki, Robin Wright Penn, Justin Kirk, Jeremy Renner, Jason Ritter, Jess Weixler, Patrick Warburton, Elaine Hendrix, Tiffany Shepis, Monique Parent, Carlos Cuaron, Matt Tyrnauer, Lou Gossett Jr., Doug Pray, Tim McCanlies and Janine Turner.

AFI DALLAS showcased 81 features and 96 shorts (a total of 177 films from 22 countries).

About AFI DALLAS International Film Festival

The AFI DALLAS International Film Festival celebrates films and their impact on society, honors filmmakers and recognizes their achievements and contributions in enhancing the creative community, provides educational programs to students to develop better understanding of the role of film in today's world, and promotes the City of Dallas and its commitment to the art of filmmaking.

AFI DALLAS is a presentation of the nonprofit Dallas Film Society.




Thursday, April 2, 2009

Austin Film Festival...call for entries! Screenplay, Teleplay & Film Competitions!



The Austin Film Festival has put out a call for creative artists to submit their work for screenplay, teleplay, and film competitions for the upcoming Festival slated for October 22 - 29th (2009).

The Austin Film Festival's mission is to further the art, craft, and business of screenwriting and filmmaking by providing unique year-round cultural events and services, enhancing public awareness and participation, and encouraging dynamic and long-lasting community partnerships.

Founded in 1994, the Austin Film Festival (AFF) was the first organization of its kind to focus on the writers’ creative contribution to film.

AFF originally consisted of the prestigious "Heart of Film" screenwriters conference (a forum for craft development, inspiration, and the networking and launching of careers created for screenwriters) which was historically under-represented.

AFF has since grown to serve filmmakers and all of Austin’s arts community.

Today, the festival encompasses a wealth of year-round programming dedicated to recognizing and celebrating the art and impact of storytelling.

Deadline Screenplay Competition: June 1st (2009)
Deadline Teleplay Competition: June 1st (2009)
Deadline Film Competition: July 3rd (2009)

Guideline Info: www.AustinFilmFestival.com

*The Austin Film Festival is a not for profit 501c3 corporation.

AFI Dallas...Patrick Warburton greets YMCA After School All Stars kids! Movie treat...





 







Patrick Warburton greeted a few hundred local kids in the Dallas area yesterday afternoon much to their delight.

AFI Dallas partnered with the Dallas YMCA After School All Stars to treat the youngsters to an afternoon movie at NorthPark Mall.

The age range of the excited guests appeared to between about 5 - 15 years of age.

Each child sported a torquoise T-shirt with AFI Dallas emblazoned on the front in bold-faced lettering.

A logo on the sleeve singled out the generous sponsor, TXU (Energy), who contributed big $$$ to support the upbeat event.

When each new group of kids appeared on the red carpet (a novel fun idea in-of-itself) they pointed to the logo on their short-sleeves and hollered out on queue:

"TXU"

At one point, a couple of outgoing boisterous teenage girls sang out "YMCA" (the popular Village People hit) as they formed the alphabet letters Y-M-C-A with a flourish of their hands and arms.

Warburton (Seinfeld, Rules of Engagement, Bee Movie) noted this was the 1st time he had ever been involved in a project like this, which he warmed up to at the drop-of-a-hat.

"I have four kids of my own. So, any time I can be of help, I'll be there."

When I asked if any of his own children were following in his footsteps acting, he said "no".

"Whatever they want to do for a career, I'll support," he quietly responded.

Warburton was on hand to attend a premiere of his latest movie - Rock Slyde - slated for later in the evening at AFI Dallas.

It was apparent from all the beaming faces in the crowd that the outing was appreciated and that a fun school excursion was had by all.



Wednesday, April 1, 2009

AFI Dallas...scuttlebutt; Big Fan director prefers mid-level actors to pain-in-the-butt superstars! Janine Taylor makes splash on red carpet...



Writer/Director Robert Siegel amazed me with his honesty on the red carpet last night.

When I asked him who he would choose to work with if he could have his pick, he looked me dead in-the-eye and stated matter-of-fact, that he was comfortable with mid-level actors.

"I'm not powerful enough in the industry to control big name stars, like Brad Pitt; besides, they come with too much baggage," he quipped without any qualms or worries about ramifications.

"They're a pain in the butt."

He was quick to add that the exception was Johnny Depp.

"I have have been offered scripts with big names attached, but I passed."

A die-hard New Yorker, he has no desire to up-and-move to the golden state.

Siegel was a great sports enthusiast as a kid, so over the years he longed to lens a feature about the "Giants".

"Big Fan" is an intriguing tale about a sports fan who becomes obsessed with a player who he later gets into a physical altercation with.

Oh, the humiliation.

Patton Oswalt stars in this moody piece.

Although Oswalt is quick on the uptake - and the funnyman is capable of delivering up snappy one-liners at whim (which I have been witness to) - the up-and-coming star chose to closely follow the tightly-written script.

He noted that the "Big Fan" is reminiscent of 70's films like "Electra Glide in Blue" and also "Marvins Gardens".

"It's a tale of fu**ed up redemption," he asserted last night.

I was quite delighted to meet the producers from "Like Dandelion Dust", also.

"We tried to stay true to the best-selling novel by Karen Kingsbury. In fact, fans who have screened the feature have been pleased with the end result," one of the baby-faced Downes brothers (producers) beamed with pride at the glittering premiere last night.

It is a sort-of legal thriller about a battle for the custody of a child.

Respected Jon Gunn directs popular star Mira Sorvino,

The "Two Bobs" director - Tim McCanlies - was basking in the glow of all the attention coming his way for his off-beat project which is a foray into the scintillating world of Video Gamemakers.
In a nutshell, the "2 Bobs" is a quirky who-dunnit about two tecnie nerds who have their software stolen.

As they endeavour to track down the culprits responsible for the theft, they are thrust into the disreputable underworld of spammers and Internet hoodlums.

Janine Taylor (Friday Nights) trotted the carpet on her way to a screening of an old-time classic, "Gentleman Prefer Blondes".

We both joked about the fact neither of us had ever seen the Maryilyn Monroe comedy on the silver screen, only on the boob tube over the years.

Later, at the Festival lounge at the Magnolia Theatre, a tasty smorgasbord had been laid out for theatre-goers - imported cheese and crackers, mouth-watering succulent fruit (including fresh strawberries dipped in rich dark chocolate) - and a wide assortment of finger-licking cocktail food.

The Theatre recently installed an eye-catching series of original artworks by a talented young artist, Clint Scism.

The humorous pieces are basic cut-outs, maneuvered artfully onto layered levels of glass, in a sort-of distinctive collage-like fashion.

Moderately priced, too.

The lobby was buzzing with excited film buffs chatting each other up in the lobby.

AFI Dallas screenings are mostly-sold out this year, after all.

If you haven't slipped into NorthPark Mall or the Magnolia Theatre yet to catch a flick, you have about two days left to say you were part of the AFI Dallas Film Festival phenomenon 2009.

See 'ya there!



Patton Oswalt in the Big Fan


http://www.julianayrs.com

Screen Actors Guild...producers agree to tentative commercial contract!



News from SAG President Allen Rosenberg is that the joint SAG/AFTRA Commercial Contracts Negotiating Committee have reached a tentative agreement with advertisers early this morning in New York City.

In his upbeat e-mail communication, Rosenberg applauded the negotiators.

"I would like to thank and congratulate the hard-working staff members for their unity and collaboration over the past months, starting with the W & W meetings, and especially during the long 6 weeks of negotiations."

"It is clear that when SAG members work together," he added enthusiastically, "and focus on common goals to benefit actors, that we really can accomplish many things."

More details of the tentative agreement will be released once the Joint SAG/AFTRA Board has met.


http://www.julianayrs.com

AFI Dallas...Britney Spears electrifies nightlife; celebrity brings out ugly side; Father of year is...


Britney breezes into dust bowl!

 


As the AFI shuttle bus turned the corner, we were suddenly swept up into a thong of trussed up teens heading off to the American Airlines Stadium to catch the Britney Spears concert.

In fact, Dallas fans felt so privileged to have the charismatic star in their midst, that all stops were pulled out in a bold-faced effort to sidle up and bask a little in the glow of her celebrated light.

A ticket - whether it be for a whopping $2000 in the front-row-seat - or tagged at a paltry $150 up in the boondocks - was definitely an entree into an exclusive social set many were pining for if only for one night.

Unfortunately, a few ugly personality traits reared their head, as the scenario unfolded before me.

Ah, fame and celebrity bring out the worst in people.

For example, one AFI photographer, had been quite congenial and buddy-buddy with his fellow paparazzi (even inclined to glad-hand all the AFI staff and guests when he made his round through the Festival lounges and red carpet events each day) up 'til last evening.

When he caught wind of a chi-chi party Ms. Spears may be attending, he surreptitiously slipped out a back door so he could crash it on the sly with the specific intention of getting a jump on exclusive publicity stills.

Tsk! Tsk!

In contrast, one local sportscaster landed the glorious honor of "Father of the year in" in my eyes, when he generously gave up his ticket to ensure his 14 year-old-daughter could party it up in the Fox Network suite (center row at the high-energy concert) with her best friend as when Britney strutted her stuff on the welcoming Dallas stage.

Moi?

Well, there wasn't any intense desire to follow the madding crowd.

After all, at a party hosted by CineVegas last year, I was able to mix-and-mingle with Ms. Spears when she quietly slipped in unnoticed by fans and the paparazzi.

The classy sophisticated party-goers in attendance barely batted-an-eye and left the - at times, harried pop chanteuse - alone.

Some people have impeccable manners, you know!


Tuesday, March 31, 2009

Deep Ellum Arts Festival...Cutting edge Art, scrumptious food & sizzlin' hot music!!!




The Deep Ellum Entertainment district is tossing a big bash this weekend in Dallas (April 3rd thru 5th) and you're all invited!

The free outdoor Arts & Music Festival boasts four stages with non-stop performances by 75 (count 'em) bands from around the country.

And, there will be more than 100 top-notch decorative and visual artists on hand to display their creative wares.

In addition, there will be a pooch parade, streets dancers, and vendors hawking scrumptuous finger foods and beverages.

See 'ya there!

Info: http://www.meifestivals.com/deepspr.html




http://www.julianayrs.com

AFI Dallas...Henry Selick honored with the Texas Avery Animation Award!



Tonight, animator Henry Selick will be presented with the orestigious Texas Avery Aviation Award at the Nasher Sculpture Center in Dallas.

Selick was the director, production designer and screenplay adapter for Coraline, the first stop-motion animated feature film every produced in stereoscopic 3-D.

Last night, Mr. Selick trotted down the red carpet at the NorthPark Mall, with one of a toy "model" of Coraline in tow, replete with movable joints.

The respected animation expert was in high spirits!

I asked Mr. Selick when he first became aware that he was interested in this creative field.

"I used to draw in my room for hours; so much so, that my parents thought there was something wrong with me. They thought I should be out playing with the other kids."

I laughed.

As a child, I encountered the same concerns in respect to my own creative fantasies.

Mr. Selick noted that actors - while out of a physical role onscreen perhaps - still found voice-over work advantageous.

"There is no make-up artist, no need for wardrobe. It's a stress-free environment."

When I asked the visionary artist how he rustled up talent for his high-profile projects, he chuckled.

"My antenna goes up now and then. For instance, one night I was watching the Jon Stewart Show when I heard an actor's voice that was just right for a character."

It pays to go on talk shows, actors!

Selick's 1990 MTV original series - Slow Bob in the Lower Dimensions - won First Prize at the Ottawa Animal Festival and a Silver Hugo at the Chicago Film Festival.

Selick is probably best-known for directing "The Nightmare Before Christmas", (a Tim Burton project).

In - JAMES AND THE GIANT PEACH - Selick became known as quite the innovator when he merged the worlds of stop-motion and CG imagery with stylized live-action sequences.

The Texas Avery Animation award that will be bestowed upon him this evening will be presented by Reel Fx Entertainment.



http://www.julianayrs.com

Monday, March 30, 2009

AFI Dallas...Drew Waters has star quality; Ella & Astronaut hits mark; Festival Scuttlebutt!







Occasionally, an individual stands out on the red carpet.

Call it the "it" factor, if you like.

For an actor, it is that indefinable "something" that sets them apart from any other performer.

And, Drew Waters - who is co-starring in a Dallas-shot feature (The Other Side of Paradise) - definitely has it in spades!

When I spied him strutting down the gauntlet last night, it was obvious to me - a former Theatrical Agent - that Mr. Waters was going to be catapulted into the stratosphere if only he got that lucky break.

"I nearly didn't get this part," he laughed.

"They thought I couldn't handle the role which is so unlike the characters I usually play."

Yes, he's clean cut and all American-looking - a dude who might conceivably play the hero, the Harvard Graduate, the All-Star Quarterback - or a myriad of other roles in that vein.

Since I don't intend to catch "The Other Side of Paradise" for a couple of reasons, I thought I'd copy-cat Robert Wright (the rock photographer from "Rock Prophecies" who took "Sick Puppies" under his wing and elevated them from relative obscurity to new levels of success in the music industry) and give this kid a mention with the hope that it will cast a spotlight on his career and stir up some interest.

I'll be watching from the sidelines and trust that my instinct is right on again!

Last night I also got to meet Alan Govenar who directed "Poetry of Exactitude".

It's a short film about Lucien Moucher, who has been crafting small-scale productions of carousels and fairground scenes, since 1946.

"It takes him one year to create one piece which is rendered with painstaking minute detail."

At a time when filmmakers are focusing on convoluted love stories, drug deals gone awry, glory films about the War in Iraq - you name it - it is darn refreshing to encounter an auteur who is documenting the work of gifted artists to ensure there is a chronicle of their efforts left behind.

There were some surprises over the weekend, too.

"Ella & the Astronaut", featured in Shorts Program I, blew me away.

It's a film about one girl's journey to her secret hiding spot where she and Astronaut Henry can travel to the stars. (Directed by Rodrigo Ojeda-Beck & Robert Machoian)

For me, it was delightful filmmaking, which hit the spot.

There were some go-getters hawking their wares on the carpet past week, too.

One that struck me as genuine and deserving of accollades was Benjamin Kegan who directed "Team Taliban".

Although I haven't seen this short, the buzz for it has been exceptional.

In fact, my peers this week, noted how impressed they were with the young man currently attending school in Washington State.

"Team Taliban" provides a provocative glimpse into the world of Adeel Adam, a devout Muslim-American wrestler, who struggles to find a balance between his faith and his wrestling career.

According to Kegan, his project explores the impact of the war on terror in American culture through the unique lens of professional wrestling.

http://www.teamtalibanfilm.com/
At some point, I hope to take in "Kassim: the Dream".

Director/Screenwriter Kief Davidson won me right-off-the-bat when he noted I reminded him of his Uncle!

Smart guy!

The intriguing tale is about a Junior Middleweight Champion of the world who was abducted when he was a child and inducted into a rebel army at the tender age of 6.

AFI Fest describes The Dream this way:
"Director Kief Davidson and Executive Producer Forest Whitaker gives us an intimate portrait of a captivating and charismatic young athlete who feels compelled to transform a legacy of sorrow into hope and inspiration."

Later in the week, "Hunger" - a film I was greatly impacted by at AFI LA last fall, will be screening locally.

I highly recommend the poignant story about a 1981 Hunger strike initiated by the Irish Republican Army leader Bobby Sands.

Post: 11/04/2008

http://ijulian.blogspot.com/2008/11/afi-festhunger-knock-out-drama-about.html

George Wawa, an AFI photographer, has been on the ball with a his team - too - capturing all the events on film so that various media outlets will have professional stills to match-up with their news coverage.
I ended up down at the Festival Lounge later at Victory Park once my assignments for the day were covered, kicked up my heels, and mingled with the tony Dallas elite for a couple of hours.

A couture Swimwear fashion show by Shawari - featuring a bevy of buffed studs and sexy scantilly-clad female models, revved up the crowd, by the way.

Tonight, I plan to attend the Red Carpet event for "The Burning Plain" which is being touted as a must-see film, starring Charlize Theron and Kim Bassinger.

Sorry folks, word from my inside sources have informed me the tickets are sold out.

I'll attend the gala afterwards and report in tomorrow with all the juicy tidbits!




Sunday, March 29, 2009

AFI Dallas...Jeremy Renner appears for screening of "Hurt Locker"; Director Kathryn Bigelow honored with Texas Star Award; Tattler stand on Iraq!


The "Hurt Locker" is a drama about an elite bomb squad playing a game of life and death in Iraq - which was set as a centerpiece film amid a dizzying array of offerings at AFI Dallas 2009.

According to AFI, a centerpiece film is one that "inspires conversation, sparks imagination, and encourages contemplation."

For some, the Mark Boals material may fit that bill.

In a nutshell, the war flick takes an intense peak into the dangerous world of elite soldiers who disarm bombs in the heat of combat.

Jeremy Renner, one of the stars of the "Hurt", noted for the record that the material is highly complex.

"The lean, good-looking actor subsequently added:

"You have to see it for yourself to figure what it is about."

Curiously, when I asked Renner about the meaning of "Hurt Locker", he was inclined to hand me off to the creative team down the red carpet heading our way.

But, he hazarded a guess, nonetheless.

"I thought it might be a body box or a latrine."

When the question was raised down the line, I was bounced back to Renner.

"That's a question for Jeremy."

When I relayed his initial response, it was suggested that perhaps he meant it in the sports vernacular.

No straightforward answer was forthcoming.

"It's obviously a bad thing."

Was the answer too explosive?

Perhaps, there wasn't one.

A title of a film is usually chosen to reflect or shed light on the heartbeat or underlying theme of a project.

It may even be a catch phrase.

The dilemma struck me as one that an art connoisseur might encounter when viewing an abstract painting.

By not providing a title, or explanation, the artist opens the door for the "observer" to "read into it."

Hence, a more profound meaning may end up being credited than originally intended.

The vague responses were terribly revealing so I moved on to a new line of questioning.

When I asked Renner his marital status, he noted that he had a girlfriend.

"Any plans to marry?"

"That's pushing it," a gruff handler without any manners (not an AFI employee) barked out.

Since fan appeal may rest in "availability", my question was not out-of-place or irrelevant or un-called-for under the circumstances.

A query about his wardrobe made the rough-around-the-edges rep bristle, too.

since I put together a best-dressed list each year, the info I was seeking was within my realm.

Fashion questions were off-putting to Kathryn Bigelow.

Bigelow, the director of Point Break, K-19, and Near Dark, hesitated before divulging the name of her designer.

Was the chic dark suit something she threw together herself, I probed further?

After almost biting her tongue, she quietly responded.

"Dolce Gabbana."

Not too shoddy, Kathryn!

As she strode off and I started to jot down the name on my pad, she half-turned and - ever-the-director - informed me that I did not have to write that info down.

"Yes, I do." I answered politely.

This triggered a reaction from her male escort.

"Do you really write for the Tattler?"

I smiled slightly.

"I am the Tattler."

At this juncture, he strode back towards me and asked if I was with the Tattler published in England.

"There is a Tattler in England and one based in America."

Asking me if I "really wrote for the Tattler" was such a silly question to ask!

Did he honestly think that AFI would allow an individual pass themselves off as someone they weren't on the red carpet?

The truth of the matter is that AFI makes every good-faith effort to court legitimate members of the press to ensure there is a ample, widespread professional coverage for the filmmakers and their projects, and events at the Festival.

Likewise, AFI ensure those appearing on the carpet are key-players, and professionals worthy of press coverage based on set industry standards.

For the former reason, I am giving "Hurt Locker" publicity for their project and their actors and reporting on the Texas Star Award bestowed upon Kathryn Bigelow for her contribution to film.

Personally, I don't intend to take in the film.

Since I am a peacemaker, opposed to War and Imperalist occupations of Foreign Nations, films such as "Hurt Locker" only fuel the fire and exalt the horrors of battle and conflict, in my estimation.

In the final analysis, my readers have to decide for themselves if "Hurt" is a film they'll spring a few bucks (and a couple of leisure hours) on.

To each his own.




Jeremy Renner

 
Custom Search